Ella Enchanted (Widescreen Edition)

• Anne Hathaway, the delightful star of THE PRINCESS DIARIES, is Ella in the charming fairy tale
• On the day of her birth, Ella is given a gift by her Fairy Godmother -- the gift of obedience,
• Under no circumstances can Ella refuse anything she is asked to do, no matter how wicked it may be
• Tired of being taken advantage of, Ella, with a talking book as her companion, leaves home to find
• This simple errand soon turns into an amazing journey filled with ogres, giants, wicked stepsisters,

Anne Hathaway, the delightful star of THE PRINCESS DIARIES, is Ella in the charming fairy tale adventure ELLA ENCHANTED. On the day of her birth, Ella is given a gift by her Fairy Godmother -- the gift of obedience, which is also a curse. Under no circumstances can Ella refuse anything she is asked to do, no matter how wicked it may be. Tired of being taken advantage of, Ella, with! a talking book as her companion, leaves home to find her Fairy Godmother and return her unwanted gift. This simple errand soon turns into an amazing journey filled with ogres, giants, wicked stepsisters, elves, and the plotting of Prince Charmont's evil uncle who wants to take over the Crown and rule the kingdom. Bursting with colorful characters, music, wit, and whimsy, ELLA ENCHANTED is a truly enchanting and heartwarming tale that will captivate the entire family.Fairy tales and contemporary satire collide in Ella Enchanted, based upon the enormously popular young adult novel by Gail Carson Levine. Ella (Anne Hathaway, The Princess Diaries) received an unfortunate fairy gift in her cradle: No matter what anyone tells her to do, she's compelled to obey. Despite this, Ella grows up to be a headstrong young woman who refuses to swoon at the sight of a charming young prince (Hugh Dancy). To get her gift removed, Ella braves a forest packed with ogres, elves, a! nd giants to find her fairy godmother (Vivica A. Fox, Kill ! Bill, Vo l. 1). Much like Shrek, Ella Enchanted is sprinkled with comic modern references; for some, this will make the whimsy too cute, while others will appreciate the snarky jabs. Also featuring Cary Elwes (The Princess Bride), Minnie Driver, Joanna Lumley, Eric Idle, and many others. --Bret Fetzer

Ella is a girl with a most unusual gift, and her story has charmed readers and critics alike. Now Miramax Films brings this wholly original Cinderella story to the silver screen, complete with princes, ogres, wicked stepsisters, and a fairy-tale ending fit for a princess.

At birth, Ella is inadvertently cursed by an imprudent fairy named Lucinda, who bestows on her the "gift" of obedience. Anything anyone tells her to do, Ella must obey. Another girl might have been cowed by this affliction, but not feisty Ella: "Instead of making me docile, Lucinda's curse made a rebel of me. Or perhaps I was that way naturally." When her beloved mother dies, ! leaving her in the care of a mostly absent and avaricious father, and later, a loathsome stepmother and two treacherous stepsisters, Ella's life and well-being seem in grave peril. But her intelligence and saucy nature keep her in good stead as she sets out on a quest for freedom and self-discovery, trying to track down Lucinda to undo the curse, fending off ogres, befriending elves, and falling in love with a prince along the way. Yes, there is a pumpkin coach, a glass slipper, and a happily ever after, but this is the most remarkable, delightful, and profound version of Cinderella you've ever read.

Gail Carson Levine's examination of traditional female roles in fairy tales takes some satisfying twists and deviations from the original. Ella is bound by obedience against her will, and takes matters in her own hands with ambition and verve. Her relationship with the prince is balanced and based on humor and mutual respect; in fact, it is she who ultimately! rescues him. Ella Enchanted has won many well-deserved! awards , including a Newbery Honor. (Ages 9 to 14) --Emilie CoulterAnne Hathaway, the delightful star of THE PRINCESS DIARIES, is Ella in the charming fairy tale adventure ELLA ENCHANTED. On the day of her birth, Ella is given a gift by her Fairy Godmother -- the gift of obedience, which is also a curse. Under no circumstances can Ella refuse anything she is asked to do, no matter how wicked it may be. Tired of being taken advantage of, Ella, with a talking book as her companion, leaves home to find her Fairy Godmother and return her unwanted gift. This simple errand soon turns into an amazing journey filled with ogres, giants, wicked stepsisters, elves, and the plotting of Prince Charmont's evil uncle who wants to take over the Crown and rule the kingdom. Bursting with colorful characters, music, wit, and whimsy, ELLA ENCHANTED is a truly enchanting and heartwarming tale that will captivate the entire family.Fairy tales and contemporary satire collide in Ella Enchanted, based upon the enormously popular young adult novel by Gail Carson Levine. Ella (Anne Hathaway, The Princess Diaries) received an unfortunate fairy gift in her cradle: No matter what anyone tells her to do, she's compelled to obey. Despite this, Ella grows up to be a headstrong young woman who refuses to swoon at the sight of a charming young prince (Hugh Dancy). To get her gift removed, Ella braves a forest packed with ogres, elves, and giants to find her fairy godmother (Vivica A. Fox, Kill Bill, Vol. 1). Much like Shrek, Ella Enchanted is sprinkled with comic modern references; for some, this will make the whimsy too cute, while others will appreciate the snarky jabs. Also featuring Cary Elwes (The Princess Bride), Minnie Driver, Joanna Lumley, Eric Idle, and many others. --Bret Fetzer

Ella Enchanted

How can a fairy's
blessing be such a curse?

At her birth, Ella of Frell was the unfortunate rec! ipient of a foolish fairy's giftâ€"the "gift' of obedience. El! la must obey any order given to her, whether it's hopping on one foot for a day and a half, or chopping off her own head! But strong-willed Ella does not tamely accept her fate. Against a bold backdrop of princes, ogres, giants, wicked stepsisters, and fairy godmothers, Ella goes on a quest to break the curseâ€"once and for all.

In this incredible debut novel comes the richly entertaining story of Ella of Frell, who at birth was given the gift of obedience by a fairy. Ella soon realizes that this gift is little better than a curse, for how can she truly be herself if at anytime anyone can order her to hop on one foot, or cut off her hand, or betray her kingdom'and she'll have to obey? Against a bold tapestry of princes, ogres, giants, wicked stepsisters, and fairy godmothers, Ella's quest to break the curse once and for all and discover who she really is is as sharply funny as Catherine, Called Birdy and as richly poignant as Beauty, and has all the marks of a classic in th! e making.

The Two Princesses of Bamarre

When a plague strikes Bamarre, Princess Addie must save her sister.

Brave and adventureous, Princess Meryl dreams of fighting dragons and protecting the kingdom of Bamarre. Shy and fearful, Princess Addie is content to stay within the safety of the castle walls. The one thing that the sisters share is their unwavering love for each other.

The tables are turned, however, when the Gray Death leaves Meryl fatally ill. To save her sister, meek Princess Addie must find the courage to set out on a dangerous quest filled with dragons, unknown magic, and death itself. Time is running out, and the sisters' livesâ€"and the future of the kingdom of Bamarreâ€"hang in the balance.

Fairest

Once upon a time, there was a girl who wanted to be pretty . . .

Aza's singing is the fairest in all the land, and the most unusual. She can "throw"t her voice so it seems to come from a! nywhere. But singing is only one of the two qualities prized i! n the Ki ngdom of Ayortha. Aza doesn't possess the other: beauty. Not even close. She's hidden in the shadows in her parents' inn, but when she becomes lady-in-waiting to the new queen, she has to step into the lightâ€"especially when the queen demands a dangerous favor. A magic mirror, a charming prince, a jealous queen, palace intrigue, and an injured king twine into a maze that Aza must penetrate to save herself and her beloved kingdom.

Anne Hathaway, the delightful star of THE PRINCESS DIARIES, is Ella in the charming fairy tale adventure ELLA ENCHANTED. On the day of her birth, Ella is given a gift by her Fairy Godmother -- the gift of obedience, which is also a curse. Under no circumstances can Ella refuse anything she is asked to do, no matter how wicked it may be. Tired of being taken advantage of, Ella, with a talking book as her companion, leaves home to find her Fairy Godmother and return her unwanted gift. This simple errand soon turns into an amazing journey filled w! ith ogres, giants, wicked stepsisters, elves, and the plotting of Prince Charmont's evil uncle who wants to take over the Crown and rule the kingdom. Bursting with colorful characters, music, wit, and whimsy, ELLA ENCHANTED is a truly enchanting and heartwarming tale that will captivate the entire family.Fairy tales and contemporary satire collide in Ella Enchanted, based upon the enormously popular young adult novel by Gail Carson Levine. Ella (Anne Hathaway, The Princess Diaries) received an unfortunate fairy gift in her cradle: No matter what anyone tells her to do, she's compelled to obey. Despite this, Ella grows up to be a headstrong young woman who refuses to swoon at the sight of a charming young prince (Hugh Dancy). To get her gift removed, Ella braves a forest packed with ogres, elves, and giants to find her fairy godmother (Vivica A. Fox, Kill Bill, Vol. 1). Much like Shrek, Ella Enchanted is sprinkled with comic modern referenc! es; for some, this will make the whimsy too cute, while others! will ap preciate the snarky jabs. Also featuring Cary Elwes (The Princess Bride), Minnie Driver, Joanna Lumley, Eric Idle, and many others. --Bret Fetzer

Beloved

• Oprah Winfrey and Danny Glover play the unforgettable lead roles in a powerful, widely acclaimed cinematic triumph from Jonathan Demme.On a difficult journey to find freedom, Sethe is constantly confronted by the secrets that have haunted her for years. Then, an old friend from out of her past unexpectedly reenters her life. With his help, Sethe may finally be able to rediscover who she is and reg

(Book Jacket Status: Jacketed)

Winner of the Pulitzer Prize, Toni Morrison’s Beloved is a spellbinding and dazzlingly innovative portrait of a woman haunted by the past.

Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the ! angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling herself Beloved, Sethe’s terrible secret explodes into the present.

Combining the visionary power of legend with the unassailable truth of history, Morrison’s unforgettable novel is one of the great and enduring works of American literature.In the troubled years following the Civil War, the spirit of a murdered child haunts the Ohio home of a former slave. This angry, destructive ghost breaks mirrors, leaves its fingerprints in cake icing, and generally makes life difficult for Sethe and her family; nevertheless, the woman finds the haunting oddly comforting for the spirit is that of her own dead baby, never named, thought of only as Beloved.

! A dead child, a runaway slave, a terrible secret--these are ! the cent ral concerns of Toni Morrison's Pulitzer Prize-winning Beloved. Morrison, a Nobel laureate, has written many fine novels, including Song of Solomon, The Bluest Eye, and Paradise--but Beloved is arguably her best. To modern readers, antebellum slavery is a subject so familiar that it is almost impossible to render its horrors in a way that seems neither clichéd nor melodramatic. Rapes, beatings, murders, and mutilations are recounted here, but they belong to characters so precisely drawn that the tragedy remains individual, terrifying to us because it is terrifying to the sufferer. And Morrison is master of the telling detail: in the bit, for example, a punishing piece of headgear used to discipline recalcitrant slaves, she manages to encapsulate all of slavery's many cruelties into one apt symbol--a device that deprives its wearer of speech. "Days after it was taken out, goose fat was rubbed on the corners o! f the mouth but nothing to soothe the tongue or take the wildness out of the eye." Most importantly, the language here, while often lyrical, is never overheated. Even as she recalls the cruelties visited upon her while a slave, Sethe is evocative without being overemotional: "Add my husband to it, watching, above me in the loft--hiding close by--the one place he thought no one would look for him, looking down on what I couldn't look at at all. And not stopping them--looking and letting it happen.... And if he was that broken then, then he is also and certainly dead now." Even the supernatural is treated as an ordinary fact of life: "Not a house in the country ain't packed to its rafters with some dead Negro's grief. We lucky this ghost is a baby," comments Sethe's mother-in-law.

Beloved is a dense, complex novel that yields up its secrets one by one. As Morrison takes us deeper into Sethe's history and her memories, the horrifying circumstances of ! her baby's death start to make terrible sense. And as past me! ets pres ent in the shape of a mysterious young woman about the same age as Sethe's daughter would have been, the narrative builds inexorably to its powerful, painful conclusion. Beloved may well be the defining novel of slavery in America, the one that all others will be measured by. --Alix WilberShows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.Oprah Winfrey (THE COLOR PURPLE) and Danny Glover (LETHAL WEAPON IV, THE ROYAL TENENBAUMS) play the unforgettable lead roles in a powerful, widely acclaimed cinematic triumph from Jonathan Demme -- the Academy Award(R)-winning director of THE SILENCE OF THE LAMBS. On a difficult journey to find freedom, Sethe (Winfrey) is constantly confronted by the secrets that have haunted her for years. Then, an old friend from out of her past (Glover) unexpectedly reenters her life. With his ! help, Sethe may finally be able to rediscover who she is and regain her lost sense of hope. Also featuring outstanding performances from Thandie Newton (GRIDLOCK'D) and Lisa Gay Hamilton (TV's THE PRACTICE) -- you'll agree with critics everywhere who've hailed this landmark adaptation of Toni Morrison's Pulitzer Prize-winning novel as one of the year's finest films!This layered film, a labor of love from director Jonathan Demme and star Oprah Winfrey, covers a lot of turf in its nearly three-hour running time. Part slavery fable, part mother-daughter tale, part ghost story, Beloved demands an audience's full attention from its dramatic, slightly bewildering opening, when a family dog comes down on the wrong side of some angry, unseen force. But Demme and his talented cast provide an unforgettable payoff for those who surrender.

The film traces the life of Sethe (played in her middle years by Winfrey), a former slave who has rebuilt what seems to be a peaceful, p! roductive life in Ohio. Yet through chilling, sparing use of f! lashback , Demme slowly unveils, as does the Toni Morrison masterpiece on which the film is based, the horrors of Sethe's former life, and the terrible event that led to the haunting of Sethe's home.

While the horrors of slavery and the bloody event in Sethe's family leave undeniable impressions, the film's brilliance is also evidenced in smaller, equally satisfying ways. Rachel Portman's spiritual-influenced score is as uplifting as it is haunting, and the glimpses of the post-slavery African American world--as with a simple family outing to a local carnival, or a ladies' sewing-and-gospel circle--make this a treat for the intellect as well as the heart. The members of the cast, especially Kimberly Elise as Sethe's struggling daughter and Thandie Newton as the mysterious title character, are supremely affecting. --Anne Hurley

Kikkerland CD06 Grenade Screwdriver Set

• Hand Grenade Screwdriver Set
• Tool set inside grenade includes driver, small, medium, and large Phillips and flathead-style bits
• A creative and unique spin on your regular screwdriver set
• 7 Piece set is secretly hidden inside the compact grenade
• Tips are held in by a strong magnet- easy to use and hold

Get ready for "the mother of all comedy events" (Pat Collins, WWOR-TV/New York) as Robin Williams and Billy Crystal play a flaky writer and an uptight lawer teaming up to track down a runaway teen each thinks might be his son. Year: 1997 Director: Ivan Reitman Starring: Robin Williams, Billy Crystal, Julia Louis-DreyfusBilly Crystal plays the straight man to neurotic Robin Williams when these two very different individuals join forces to find a runaway teenager. Both, you see, have been told they are the boy's father by Nastassja Kinski, with whom each had once be! en involved. This Disney production is based on the more humorous French farce, Les Compères, by Francis Veber (who cowrote this adaptation). It has its moments as breezy entertainment, but the plot is sloppy enough to seem more like slapstick than sophisticated comedy. The gags are contrived, and it fails to unfold with believability, or grace. More interesting than the writing are the performances, as Crystal brings surprising depth to his cynical lawyer and Williams is exceptionally fine-tuned as a suicidal and dippy writer with a very kind heart. --Rochelle O'Gorman CD06 Features: -6 piece set. -Materials: stainless steel, PP. -Overall Dimensions: 4'' H x 2'' Dia.

Diary of a Wimpy Kid: Rodrick Rules

• Greg Heffley, the kid who made ?wimpy? cool, is back in this sidesplitting sequel based on the
• But at home, Greg is still at war with his older brother, Rodrick, so their parents have handed

Greg Heffley, the kid who made “wimpy” cool, is back in this sidesplitting sequel based on the second installment of the best-selling book series! Having rid himself of the Cheese Touch , Greg enters the next grade with his confidence and friendships intact, and an eye on the new girl in town, Holly Hills . But at home, Greg is still at war with his older brother, Rodrick, so their parents have handed down the toughest “punishment” imaginable â€" forcing the boys to spend quality time with each other. Brothers aren't supposed to get along, so it should come as no surprise that Greg and his older sibling Rodrick fight continuously. However, their mother has a different idea about what the r! elationship between two brothers should look like, and she writes a column about it for the local newspaper, so she should know. Never one to let nature take its course, Mom tries a variety of strategies to get the boys to bond--everything from the incentive-driven "mom bucks" to punishing them by leaving them home together for the weekend while the rest of the family heads to the water park. The wild party and ensuing chaos that one would expect when two boys are left home alone happens right on schedule, but so does a surprising development in the boys' relationship with one another. Greg pours his every thought about the difficulties of surviving middle school and living with brothers into his journal in this film, which is based on Jeff Kinney's book Diary of a Wimpy Kid: Rodrick Rules. While it's definitely a different experience to see the cartoon stick figures from the book morph into human forms in the live-action film, director David Bowers and actors Zachar! y Gordon, Devon Bostick, Robert Capron, and Rachael Harris do ! a good j ob of preserving the feel of the book--specifically, how each of the characters is driven by emotion and how they are often overwhelmed by their sense of mental conflict and anguish. Kids frankly state that the Diary of a Wimpy Kid films aren't as good as the bestselling books, but that doesn't mean they don't enjoy the movies or that they won't be clamoring to see them. (Ages 7 and older) --Tami Horiuchi

Birth

• In this mesmerizing and suspenseful film, a woman (Kidman) becomes convinced that a ten-year-old boy is the reincarnation of her dead husband.Running Time: 100 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 794043783821 UPC: 794043783821 Manufacturer No: N7838

Â"Well-researched and engaging . . . Birth is a clever, almost irreverent look at an enduring everyday miracle. (A-)” —Entertainment Weekly
Â"Wonderful. Packed full of information, a brilliant mixture of ancient wisdom and modern science.” —Kate Mosse, author of the New York Times best seller, Labyrinth
Â"Birth is a power-packed book. . . . A lively, engaging, and often witty read, a quirky, eye-opening account of one of life’s most elemental experiences.” —The Boston Globe
Published to widespread acclaim, Tina Cassidy’s smart, engaging book is the first world hi! story of childbirth in fifty years. From evolution to the epidural and beyond, Tina Cassidy presents an intelligent, enlightening, and impeccably researched cultural history of how and why we’re born the way we are. Women have been giving birth for millennia but that’s about the only constant in the final stage of the great process that is human reproduction. Why is it that every culture and generation seems to have its own ideas about the best way to give birth? Cassidy explores the physical, anthropological, political, and religious factors that have and will continue to influence how women bring new life into the world.

In this mesmerizing and suspenseful film, a woman (Kidman) becomes convinced that a ten-year-old boy is the reincarnation of her dead husband.

DVD Features:
DVD ROM Features
Theatrical Trailer

As directed by Jonathan Glazer (Sexy Beast) and dimly lit by cinematographer Harris Savides, Birth is a ! melancholy chamber piece, its pensive mood sustained by nearly! sub-son ic nuances in a fine, thematically developed score by Alexandre Desplat. All of these fine qualities are well-matched by the somber performance of Nicole Kidman, playing a still-grieving widow of 10 years, about to remarry when a 10-year-old boy (Cameron Bright) arrives to announce that he is her dead husband, reincarnated and full of convincing answers to personal marital questions. Rather than go for Sixth Sense-like chills and thrills, Glazer approaches Birth as a conundrum with no clear-cut solution, and his directorial style is so subdued, so deliberately understated, that most of the story's dramatic impact is sacrificed to oppressively dour atmosphere. If it doesn't lull you to sleep, Birth might hold your attention as a strange, subtle thriller in miniature scale. With its delicate, mature approach to the processes of grieving and recovery, however, Birth rewards attentive viewers attuned to the film's ultra-low-key wavelength, and it's gu! aranteed to provoke interesting post-movie discussions. Lauren Bacall, Danny Huston, Anne Heche, and Arliss Howard lead an esteemed supporting cast. --Jeff Shannon

Big [VHS]

• Condition: Used - Good

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 104 minutes
A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom Keogh

Features include:

•MPAA Rating: PG
•Format: Blu-Ray
•Runtime: 104 minutes
! A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom KeoghAt a carnival, young Josh Baskin (Hanks) wishes he was big ? only to awake the next morning and discover he is! With the help of his friend Billy, Josh lands a job at a toy company. But the more he experiences being an adult, the more Josh longs for the simple joys of childhood.A perfect marriage of novel but incisive writing, acting,! and direction, Big is the story of a 12-year-old boy w! ho wishe s he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom KeoghA LITTLE BOY MAKES A WISH ON A CARNIVAL WISHING MACHINE TO BE BIG &THE WISH IS MYSTERIOUSLY GRANTED, MAKING HIM A LITTLE BOYIN A MAN'S BODY.A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, wor! k, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom KeoghA little boy makes a wish on a carnival wishing machine to be big &the wish is mysteriously granted making him a little boy in a mans body. Studio: Tcfhe Release Date: 09/02/2003 Starring: Tom Hanks John Heard Run time: 104 minutes Rating: Pg Director: Penny MarshallA perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the acce! nt is on classy humor and great sensitivity. Hanks is remarkab! le in th e lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom Keogh

This is a collection of more than forty projects completed by the Copenhagen-based architecture firm between 2001 and 2010. This detailed presentation of their successful projects introduces the reader to their conception process and the results.

At a carnival, young Josh Baskin (HANKS) wishes he was big-only to awake the next morning and discover he is! With the help of his friend Billy (JARED RUSHTON), Josh lands a job at a toy company. There, his inner wisdom enables him to successfully predict what children want to buy, making the awestruck, naïve Josh irresistible to a beautiful ladder-climbing colleague (ELIZABETH PERKINS). But the more he experiences being an adult, the more Josh longs for the simple joys of childhood.A perfect marriage of novel but incisive writing, a! cting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom Keogh

Find Me Guilty : Widescreen Edition

• Widescreen

From five-time Oscar®-nominee Sidney Lumet (Serpico, Network, Dog Day Afternoon) comes the most hysterically funny testament to bad courtroom behavior since My Cousin Vinny! Vin Diesel (Saving Private Ryan) "gives a sensational performance" (The New York Times) in the true story of the most remarkable criminal trial in US history. Find Me Guilty proves beyond a reasonable doubt that justice has a strange sense of humor!

When police arrest twenty members of the Lucchese crime family, the authorities offer Jackie Dee DiNorscio (Diesel) a bargain: a shortened prison term if he'll testify against his own. But the wisecracking DiNorscio has other ideas. Refusing to cooperate, he decides to defend himself at his own trial... and proceeds to turn the courtroom upside-down in a hilarious fight that culminates in one of the most shocking verdicts in judicial history!Vin Diesel gives hi! s best performance to date in Sidney Lumet's Find Me Guilty, a courtroom comedy-drama (based on the true story of Mafia soldier "Fat Jack" DiNorscio) about the longest criminal trial in U.S. history. Diesel plays Giacomo "Jackie Dee" DiNorscio, a loyal member of New Jersey's notorious Lucchese crime family, who's already serving a 30-year jail term when he's offered an opportunity to shorten his sentence if he agrees to testify against many of his closest friends. He refuses, choosing instead to defend himself in a 21-month courtroom trial that involves 20 other Mafia members, each with their own defense attorney, all brought to trial on 76 charges ranging from criminal conspiracy to narcotics trafficking. As the lead defense attorney (Peter Dinklage) and prosecutor (Linus Roache) guide the trial through a maze of legal triumphs and setbacks, Lumet (still going strong at age 81) turns this goombah gab-fest into the kind of edgy New York comedy that only he could dire! ct, drawing heavily on his experience with such courtroom clas! sics as The Verdict and 12 Angry Men. And while he's filled the screen with a marvelous supporting cast including Alex Rocco, Ron Silver (as the no-nonsense judge) and Annabella Sciorra, Lumet can't quite overcome the confined, theatrical nature of the material, much of it drawn directly from actual courtroom transcripts. Find Me Guilty lacks the dramatic impact of The Verdict, favoring instead the rich absurdity of the DiNorscio case and its equally outrageous outcome after the jury's surprisingly brief deliberation. This is comfortable territory for Lumet, and he brings out the best in his extensive cast â€" especially Diesel, who walks a fine line between courtroom shenanigans and fierce loyalty to his criminal clan.--Jeff Shannondvd- mafia court comedy

HeadOn - Apply Directly to Forehead Migraine Relief .2 oz (5.67 g)

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