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Shot over two performances on a summer night just before the launch of her ©¯This Way©˜ tour,"Live at Humphrey's By the Bay" is Jewel's first ever Live Concert DVD. Remixed and Mastered to Dolby Digital 5.1 Surround, DTS Surround and Dolby Stereo, "Live at Humphrey's By the Bay©˜ captures the true essence of this Multi-platinum singer/songwriter's decade long career. With album sales topping 25 million, "Live at Humphrey's By the Bay" includes all of Jewel©ˆs signature songs including Hands, Everything Breaks Sometime, and You Were Meant For Me and brings you a front row seat in an intimate setting by one of the greatest artists of our generation.
Live at Humphrey's by the Bay is Jewe! l's first concert disc, and it's a solid success, a blend of signature material and hints of forward progress. Shot just before her 2002 "This Way" tour, the program begins with a startling reminder of Jewel's beautiful pipes on the a cappella "Per La Gloria D'Adorarvi." That protean voice slides gracefully into her whispery and carnal octave-jumper, "Near You Always," adopts a witty, talking blues attitude on "Sometimes It Be That Way," and paints in nocturnal hues for "Grey Matter." Jewel is solo for most of the set, contributing to the sometimes airless feel of her prolific broken-love songs. But "The New Wild West" is an imagistic, extroverted wonder, and "Everybody Needs Someone Sometime" is sassy and shimmering.
--Tom KeoghStockholm, The Grand Hotel
Outside the canals are weeping, rising silentlybeyond their cement banks. Soundlessly, theyspill onto the sidewalk, like a frayed edge. Theground will freeze soon. The night is cold. I canfeel it reach my s! kin through the glass of mywindow. My pane. My lamp. My towels! .Funny h ow every hotel room becomes my own.My home. If only for one night.Welcome to a world set to the ever-changing rhythms of an artist's life.
Since childhood, Jewel has turned to her own short stories, vivid narratives, and starkly honest writings to revisit the past, chronicle the many characters she's encountered, and trace the intricate, unpredictable patterns of her days. In Chasing Down the Dawn, recording artist, actress, and bestselling author Jewel opens her intimate journals to create a vivid montage of the people, places, relationships, and passages that colored the life she came from and marked the last magical, turbulent, and ultimately transformational year.
Drawn from her remarkable chronicle of life on the road during the Spirit World Tour, this unforgettable collection of freeze-frames captures unusual images from Jewel's childhood in Alaska, her beginnings as a struggling artist, and her challenges as a daughter, sister, and woman. Jewel paint! s an unblinkingly honest picture of the exceptional journey that carried her to the world's stage.
Here, as if pulled from a stack of snapshots, are Jewel's moment-by-moment observations on life as she now lives it: the pleasure of sold-out performances and the pressures of her industry .. the sweetness of love and bitterness of loss ... friendship, freedom, and the small miracles we ourselves create. And herein a book that allows the reader a rare glimpse of life's turning points as if viewed from over the author's shoulder -- are Jewel's deeply personal insights on the events that shaped her understanding: her parents' divorce, her experience of poverty, the healing of her difficult relationship with her father, and the development of her unique talent.
With the publication of her bestselling collection of poetry, A Night Without Armor, Jewel established herself as a light on the literary horizon. With acutely observed, elegantly written depictions of the music! ians, lovers, bikers, strangers, celebrities, and characters t! hat inha bit the singer/songwriter's world, illustrated with Jewel's own drawings and never-before-seen photographs from her family archives, Chasing Down the Dawn is more than a collection of vignettes, observations, and stories. It is a finely wrought mosaic in prose and poetry, set to the rhythms of life.
One of the most respected artists in popular music today, Jewel is much more than a music industry success with her debut album selling more than 10 million copies.
Before her gifted songwriting comes an even more individual art: Poetry.
Now available in paperback, A Night without Armor highlights the poetry of Jewel taken from her journals which are both intimate and inspiring, to be embraced and enjoyed.
Writing poems and keeping journals since childhood, Jewel has been searching for truth and meaning, turning to her words to record, to discover, and to reflect.
In A Night Without Armor, her first collection of poetry, Je! wel explores the fire of first love, the lessons of betrayal, and the healing of intimacy. She delves into matters of the home, the comfort of family, the beauty of Alaska, and the dislocation of divorce.
Frank and honest, serious and suddenly playful, A Night Without Armor is a talented artist's intimate portrait of what makes us uniquely human.
Jewel Kilcher was the first to admit that this book of 100 or so of her poems would not have been published if her dazzling debut album,
Pieces of You, hadn't sold 10 million copies. And granted, Jewel is not going to replace Deborah Garrison's
A Working Girl Can't Win on anybody's hit parade of serious poets who write for regular people.
But--shockingly!--Jewel's book of poetry is solid by celeb-poet standards, and a fair bit of it is actually sort of readable in its own right. Maybe it's not a bad idea to raise your kids on an 80-acre Alaskan farm with plenty of chores and no TV, as! Mr. Kilcher did. Unlike most young people, let alone overnig! ht stars , Jewel has led a life of some intrinsic interest. While they're often prosaically straightforward, her poems about rescuing a newborn calf in the midnight snow, listening to wolves howl in a canyon storm, and racing naked out of a sauna of a winter evening bring us more useful experience than kid poets usually have to share. Some of Jewel's homesteading verse is no worse than some of Gary Snyder's late nature poems; though she'll never write nature poems remotely as good as his early work Riprap, neither will he, probably. Preachiness is the enemy of both poets' deep religious impulses.
Jewel's poems about dumping a lover or thrilling to parking-lot sex "between the moon and a Chevrolet" are perceptive, at points even evocative. Her ode to her own breasts as a nest for her beloved is no good, but it's an honest failure. Her dress at the Oscars was more embarrassing.
The music critics contend that Jewel's music is influenced by Joni Mitchell! , though Jewel claims she didn't listen to her until lately. In comparing Joni Mitchell: The Complete Poems and Lyrics with Jewel's book, we find that both use the image of the cactus for a heart that resists a restricting embrace, but that Mitchell is cleverer with language. When Joni's lover is away, "Me and them lonesome blues collide / The bed's too big, / The frying pan's too wide." Meanwhile, Jewel baldly observes, "I miss you miserably, dear / and I can't quite manage / to face this unbearably / large bed / alone."
On the other hand, Jewel does conclude with a nice image for toughing it out with a sentimental gesture--she shaves her armpits with his razor and cheap hotel soap. Ow! We feel her pain. Also, Jewel's "Underage" holds its own against Mitchell's "Raised on Robbery," while demonstrating the influence that probably outweighed Mitchell in Jewel's artistic development: her dad, with whom she played gigs as a child in Alaska.
I hung out once in the bathroom of Trade Winds Harl! ey bar i n Anchorage
With several biker chicks for company until the cops had left.
They had pale skin and thick black eye makeup
And they asked me to sing at their weddings.
I said I'd ask my dad. We all sat on the counter and waited for the pigs to leave.
Some guy OD'd and was outside foaming at the mouth.
I remember looking in the mirror
And seeing this white face,
My shirt all buttoned up.
The women were nice to me
And looked like dark angels
Beside me. I liked them,
And together we waited
Patiently for the cops to leave
So I could go back out
And join my dad up
On stage.
The great peril for Jewel, as for most poets when very young, is artless sincerity. Her poem about her dad's Vietnam War trauma is dead sentiment, but she does far better in "Grimshaw," about a Vietvet who came to watch the Kilchers play, perpetually requesting "Ain't Goin' to Study War No More" and dr! inking four quarts of beer a night until the day he shot his face off. Which made little Jewel vow to deal with her own emotions sooner rather than too late.
Careless editing permitted Jewel to misspell the names of Tom Waits and Charles Bukowski and the word "peek." Most young fans won't notice, and the very poems about love troubles that older readers will find gratingly obvious will strike them as headline news to be taken to heart. --Tim AppeloRIDE WITH THE DEVIL - DVD MovieGreat period pictures make you feel as if you've stepped into another era, heard its language, breathed its spirit, and come away with a fresh perspective on that time as well as your own. Ride with the Devil is one of those special films--why wasn't it more widely embraced by reviewers and filmgoers? Did it rely too much on our patience for slow accumulation of unforced rhythms and meanings (as opposed to The Patriot, which "moved" audiences with cattle-prod s! implicity and manipulation)? Ride with the Devil--smar! t, hands ome, tenderly awed by how individual lives get ambushed by history--is ripe for rediscovery.
The Civil War of battlefields and plantation houses is nowhere to be seen here. Instead we see the war as an improvised and largely blundering but very bloody feud among neighbors in the border state of Missouri. In this bucolic war zone--more than a little reminiscent of the Balkans in the late 1990s--the Taiwanese-born director Ang Lee (Sense and Sensibility) traces the destinies of several young Southern bushwhackers (guerrilla fighters) as they experience violence, the seasons, and different kinds of love. Skeet Ulrich draws the aristocratic glamour role (and top billing), but he's overshadowed by Tobey Maguire as a first-generation American, the magnificent Jeffrey Wright (a shameful oversight at Oscar time) as a freed slave fighting beside his former master, and singer Jewel in a very natural acting debut as the young widow who graces all their lives. The! title The Birth of a Nation was already taken, but by the end of this movie you feel it would have applied here. -- Richard T. JamesonA live performance of a modern classic in a concert setting.This is a truly exceptional item! A high quality poster print measuring 24x36 inches professionally printed on quality Kodak photographic paper. This is no ordinary cheap commercial poster on thin art paper. Our poster is produced on real photo paper by our experienced photo technicians here at Moviestore. We guarantee that you will be delighted with the look, feel and overall stunning quality of your purchase. We offer a full refund of your money if you are not fully satisfied! Buy with confidence from Moviestore.
