(romance) drama, a sophisticated form with substantial literary and meta-theatrical value that reigned in Chinese theater from the sixteenth to eighteenth centuries and nourished later theatrical traditions including
jingju (Beijing Opera). Highly educated dramatists used chuanqi to present in artistic form personal, social, and political concerns of their time. There were six outstanding examples of these trends, considered masterpieces in their time and ever since. This study presents them in their social and cultural context during the long seventeenth century (1580รข€"1700), the period of great experimentation and political transition. The romantic spirit and independent thinking of the late Ming elite stimulated the efflorescence of the chuanqi, and that legacy was inherited and investigated during the second half of the seventeenth-century in early Qing.
Jing Shen examinees the texts to demonstrate that the playwrights appropriate, convert, or misinterpret other genres or literary works of enduring influence into their plays to convey subtle and subversive expressions in the fine margins between tradition and innovation, history and theatrical re-pres! entation. By exploring the components of romance in texts from! late Mi ng to early Qing, Shen reveals creative readings of earlier themes, stories, plays and the changing idea of romanticism for chuanqi drama. This study also shows the engagement of literati playwrights in closed literary circles in which chuanqi plays became a tool by which literati playwrights negotiated their agency and social stature. The five playwrights whose works are analyzed in this book had different experiences pursuing government service as scholar-officials; some failed to achieve high office. But their common concerns and self-conscious literary choices reveal important inIn the end of war time,there were floods in Shu in Qin.Li Bin was appointed to be the head of Shu. The movie artly showed the building of irrigation works 2000 years ago,and the achievement of bringing common people happiness.A corporate mole's-eye view of the society in which we all live and toil, creating one of the most entertaining, thought provoking, and just plain funny bod! ies of work in contemporary letters.
Stanley Bing knows whereof he speaks. He has lived the last two decades working inside a gigantic multinational corporation, kicking and screaming all the way up the ladder. He has seen it all -- mergers, acquisitions, layoffs, the death of the three-martini lunch -- and has himself been painfully re-engineered a number of times. He has eaten and drunk way too much, stayed in hotels far too good for him, waited for limousines in the pouring rain, and enjoyed it all. Sort of. Most importantly, Bing has seen management at its best and worst, and has practiced both as he made the transition from an inexperienced player who hated pompous senior management to a polished strategist who kind of sees its point of view now and then.
In one essential volume, here is all you need to know to master your career, your life, and when necessary, other weaker life forms.
With twenty years of experience as a self-described "mole in the hea! rt of corporate capitalism," CBS executive Gil Schwartz a.k.a.! columni st Stanley Bing, is a man of many words. The Big Bing, recycles two decades of artful and acid Fortune and Esquire columns into a coherent view of business as usual. The pieces are sectioned into themes readers will recognize--office politics, technology, life on the road, men being men, job angst. A number of columns snap and sting. For example, in "You Da Man," Bing details six species of bad bosses including "Don King without the Hair" and "the last days of Dick Nixon." He spins tales from the political crypt, asking readers to join his amusement at "the range of goofy people who are thrown together in the pursuit of political advantage."
Bing is at his best in giving amusing advice (how to give good phone, win turf wars and get a room with a view) and in business travelogues about places like Las Vegas where he sees "several apparently dead people playing slots." The writing bristles with attitude. Only a moving essay on "the mourning a! fter" September 11 interrupts the relentless cynicism of Bing's observations. Some readers will be able stay in on the jokes. Others may find his voice tiring or unkind and may note the difference between insight and wisdom. --Barbara Mackoff
A corporate mole's-eye view of the society in which we all live and toil, creating one of the most entertaining, thought provoking, and just plain funny bodies of work in contemporary letters.
Stanley Bing knows whereof he speaks. He has lived the last two decades working inside a gigantic multinational corporation, kicking and screaming all the way up the ladder. He has seen it all -- mergers, acquisitions, layoffs, the death of the three-martini lunch -- and has himself been painfully re-engineered a number of times. He has eaten and drunk way too much, stayed in hotels far too good for him, waited for limousines in the pouring rain, and enjoyed it all. Sort of. Most importantly, Bing has seen management at its best a! nd worst, and has practiced both as he made the transition fro! m an ine xperienced player who hated pompous senior management to a polished strategist who kind of sees its point of view now and then.
In one essential volume, here is all you need to know to master your career, your life, and when necessary, other weaker life forms.
Another CD by the Beijing Angelic ChoirCompatible with: Nintendo DS Lite only
