Sunday, November 13, 2011

Wall AC Charger USB Sync Data Cable for iPhone 4, 3GS, and iPod

  • Featuring a new, ultracompact design, this power adapter offers fast, efficient charging at home, in the office, or on the go
  • It works with any iPhone and all iPod models with a dock connector
This is a precision set of stainless steel technician's tweezers. Set contains: (1) 4-5/8" straight, needle-tip (squeeze to OPEN); (1) 4-1/2" straight, needle-tip (squeeze to CLOSE); (1) 4-3/16" straight, paddle-tip; (1) 4-9/16" curved, blunt-tip. All in a reusable pouch.A magical train ride on Christmas Eve takes a boy to the North Pole to receive a special gift from Santa.One couldn't select a more delightful and exciting premise for a children's book than the tale of a young boy lying awake on Christmas Eve only to have Santa Claus sweep by and take him on a trip with other children to the North Pole. And one couldn't ask for a more talented artist and writer to tell the story than Ch! ris Van Allsburg. Allsburg, a sculptor who entered the genre nonchalantly when he created a children's book as a diversion from his sculpting, won the 1986 Caldecott Medal for this book, one of several award winners he's produced. The Polar Express rings with vitality and wonder.


25th Anniversary Edition Includes
To commemorate this special anniversary, a lavish gift edition has been created. The set includes a silver foil border, a CD audio recording read by Liam Neeson, a note from Chris Van Allsburg, and a silvery keepsake "All Aboard" ornament.


Amazon Exclusive: A Letter from Chris Van Allsburg

Dear Amazon Readers,

Over the past twenty-five years, many people have ! shared stories with me about the effect that reading The Po! lar Expr ess has had on their families and on their celebration of Christmas.

One of the most poignant was told to me five or six years ago at a book signing in the Midwest, on a snowy December evening. As I inscribed a book to a woman in her sixties, she told me that it was the second copy she had owned, and wanted to know if she could she tell me what had happened to the first. "Of course," I answered.

A dozen years earlier the woman, who had no children of her own, befriended a neighbor, a boy of about seven, named Eddie. He would often cross his driveway to visit her.

She had a collection of picture books, which she read to him, but around the holidays, the only story he ever wanted to hear, over and over, was The Polar Express. One year she offered to give him the book, but Eddie declined because he wanted to hear her read it aloud to him, which she continued to do every year until the boy and his family moved away.

Years later the ! woman learned from a mutual acquaintance that Eddie had grown up and become a soldier. He was stationed in Iraq. Since Christmas was approaching, the woman decided to send him a gift box. She included candy, cookies, socks, and her old copy of The Polar Express. She wasn't sure what a nineteen-year-old battle-weary soldier would do with the book in an army barracks in the Middle East, but she wanted him to have it. A month later, after the holidays had passed, she received a letter from Eddie.

He told her he was very happy to have heard from her and to get the box of gifts. He had opened it in his barracks, just before curfew, with some of his fellow GIs already in their bunks. A soldier in the next bunk spotted the book. He knew it well from his own childhood and asked Eddie to read it. "Out loud?" he asked. "Yeah," his buddy told him.

Eddie, quietly and a little self-consciously, read The Polar Express. When he'd finished and closed the book! , a moment of silence passed. Then from behind him a voice cal! led out, "Read it again," and another joined in, "Yeah, read it again," and a third added, "This time, louder." So Eddie did.

He wrote to the woman that he'd stood up and read it to his comrades just the way he remembered she had read it to him.

All aboard,

Chris Van Allsburg


Recipes and Activities to Celebrate the 25th Anniversary of The Polar Express
(Click on Images for the Recipe or Activity [PDF])

Snacks for Santa

Candy Cane Sugar Cookies
Polar Chocolate Nougat Caramel Squares

Christmas Snowball Cookies
Hot Chocolate


Fun and Games !

A Polar Express Word Search 		!
A Polar Express Crossword
A Polar Express Maze
A Polar Express Drawing Sheet


This lightweight, compact travel or home wall charger plugs directly into your phone to provide power to your phone. You can leave your cell phone 'ON' while charging but for faster charging time, turn the phone 'OFF' while charging. Integrated overcharging prevention I/C will help prevent battery explosion due to overcharging of the battery. Great for travel with the compact size and charges up most micro usb cell phones and devices. Also Compatible with NEW Apple iPhone 4S.
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EDtv : Widescreen Edition

  • Widescreen
IT'S THE UNFORGETTABLE STORY OF A NOBODY, THAT EVERYBODY'S WATCHING. THE HILARIOUS STORY OF A TOTAL UNKNOWN TURNED CELEBRITY, WHO FALLS HEAD-OVER-HEELS FOR HIS BROTHER'S GIRLFRIEND SHARI ONLY TO DISCOVER THAT THEIR MOST INTIMATE PRIVATE MOMENTS HAVE JUST BECOME PUBLIC ENTERTAINMENT.The third entry of 1998-99's cinematic TV trilogy kind of got lost in the shuffle following The Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist ! invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shag! gy dog tale it's decent fun. --David KronkeThe third en! try of 1 998-99's cinematic TV trilogy kind of got lost in the shuffle following The Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fal! len victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun. --David KronkeIt's the unforgettable story of a nobody...that everybody's watching! Matthew McConaughey and Jenna Elfman star in this hilarious romantic comedy Joel Siegel of Good Morning America calls "Big-Laugh Funny."

Ed Pekurny (McConaughey) is just a regular guy who feels he has nothing to lose by agreeing to be a star of a new reality-based TV sho! w. Almost overnight, the program becomes a hit, and suddenly t! his goof y but engaging video clerk is a national celebrity! Everything's fabulous...until Ed falls head-over-heels for Shari (Elfman), the girlfriend of his brother Ray (Woody Harrelson). Suddenly their most private moments become public entertainment - and the ratings go through the roof - as millions of fans tune in to watch a real soap opera filled with comedy and romance.

Superbly directed by Ron Howard and featuring a stellar supporting cast including Elizabeth Hurley, Sally Kirkland, Martin Landau, Ellen DeGeneres, Rob Reiner and Dennis Hopper, EDtv is an outrageous look at instant fame, overnight success, and sharing your life with a few million of your closest fans.The third entry of 1998-99's cinematic TV trilogy kind of got lost in the shuffle following The Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a ! scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between makin! g a fully realized, two-and-a-half-hour-long movie that no one! would s it through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun. --David Kronkedvd
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Deep Blue Sea [Blu-ray]

  • 1080p Hi-Def Picture and DTS-HD Lossless Sound!
  • Commentary Track, Featurettes and More!
  • Exclusive Blu-ray Version!
DEEP BLUE SEA - DVD MovieWith a voracious trio of mako sharks wreaking havoc, Deep Blue Sea dares to up the ante on Jaws, but director Renny Harlin trades the nuanced suspense of Spielberg's 1975 blockbuster for the trickery of the digital age. In other words, why build genuine terror when you can show ill-fated humans getting torn into bloody chunks? The aforementioned makos have been lab rats in an effort to harvest a miracle cure for Alzheimer's disease from the brains of sharks, but the research has an unfortunate side effect: the sharks get smarter, and they're determined to break out of Aquatica, the deep-sea complex where they've been penned.

Model-actress Saffron Burrows plays the researcher; Thomas Jane pulls double-duty as shark ex! pert and action hunk; Samuel L. Jackson's the corporate sponsor who chooses the worst time for an Aquatica tour; and rapper LL Cool J is nicely cast as Aquatica's cook and comic relief. Michael Rapaport, Jacqueline McKenzie, and Stellan Skarsgård round out the cast, most of whom are turned into shark food as the makos turn Aquatica into a floating junkyard. Harlin takes devilish pleasure in providing sudden, unexpected shocks--no small feat in such a derivative thriller--and as a series of action set-pieces, Deep Blue Sea never disappoints. It's inevitable that Burrows should end up in her underwear like Sigourney Weaver in Alien, but even then the movie offers a credible reason for the strip-down; that Deep Blue Sea can be simultaneously ridiculous and sensible is just another one of its shlocky charms. --Jeff ShannonSearching for a cure to Alzheimer's disease a group of scientists on an isolated research facility become the bait as! a trio of intelligent sharks fight back.
Genre: Fea! ture Fil m-Action/Adventure
Rating: R
Release Date: 3-FEB-2004
Media Type: DVDWith a voracious trio of mako sharks wreaking havoc, Deep Blue Sea dares to up the ante on Jaws, but director Renny Harlin trades the nuanced suspense of Spielberg's 1975 blockbuster for the trickery of the digital age. In other words, why build genuine terror when you can show ill-fated humans getting torn into bloody chunks? The aforementioned makos have been lab rats in an effort to harvest a miracle cure for Alzheimer's disease from the brains of sharks, but the research has an unfortunate side effect: the sharks get smarter, and they're determined to break out of Aquatica, the deep-sea complex where they've been penned.

Model-actress Saffron Burrows plays the researcher; Thomas Jane pulls double-duty as shark expert and action hunk; Samuel L. Jackson's the corporate sponsor who chooses the worst time for an Aquatica tour; and rapper LL Cool J i! s nicely cast as Aquatica's cook and comic relief. Michael Rapaport, Jacqueline McKenzie, and Stellan Skarsgård round out the cast, most of whom are turned into shark food as the makos turn Aquatica into a floating junkyard. Harlin takes devilish pleasure in providing sudden, unexpected shocks--no small feat in such a derivative thriller--and as a series of action set-pieces, Deep Blue Sea never disappoints. It's inevitable that Burrows should end up in her underwear like Sigourney Weaver in Alien, but even then the movie offers a credible reason for the strip-down; that Deep Blue Sea can be simultaneously ridiculous and sensible is just another one of its shlocky charms. --Jeff ShannonSamuel L. Jackson, Michael Rapaport, Thomas Jane, Suffron Burrows and LL Cool J star in the 1999 thriller DEEP BLUE SEA! This hi-def Blu-ray includes a commentary track by director Renny Harlin, Featurettes, Deleted Scenes, and more!With a voracious trio of mako! sharks wreaking havoc, Deep Blue Sea dares to up the ! ante on Jaws, but director Renny Harlin trades the nuanced suspense of Spielberg's 1975 blockbuster for the trickery of the digital age. In other words, why build genuine terror when you can show ill-fated humans getting torn into bloody chunks? The aforementioned makos have been lab rats in an effort to harvest a miracle cure for Alzheimer's disease from the brains of sharks, but the research has an unfortunate side effect: the sharks get smarter, and they're determined to break out of Aquatica, the deep-sea complex where they've been penned.

Model-actress Saffron Burrows plays the researcher; Thomas Jane pulls double-duty as shark expert and action hunk; Samuel L. Jackson's the corporate sponsor who chooses the worst time for an Aquatica tour; and rapper LL Cool J is nicely cast as Aquatica's cook and comic relief. Michael Rapaport, Jacqueline McKenzie, and Stellan Skarsgård round out the cast, most of whom are turned into shark food as the makos turn Aquati! ca into a floating junkyard. Harlin takes devilish pleasure in providing sudden, unexpected shocks--no small feat in such a derivative thriller--and as a series of action set-pieces, Deep Blue Sea never disappoints. It's inevitable that Burrows should end up in her underwear like Sigourney Weaver in Alien, but even then the movie offers a credible reason for the strip-down; that Deep Blue Sea can be simultaneously ridiculous and sensible is just another one of its shlocky charms. --Jeff Shannon

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Frequency : Widescreen Edition

  • Widescreen
A phenomenon allows police officer John Sullivan (Jim Caviezel) to save the life of his long-dead father (Dennis Quaid). But changing the past leads to a string of brutal, serial homicides. Now, they both must race across time to stop the killer.

DVD Features:
Audio Commentary
Music Only Track
Photo gallery
Theatrical Trailer

Frequency is really two different--though inextricably linked--movies. First, the emotional drama of a father and son reunited after 30 years of separation. Then there's a science fiction thriller, in which a couple of chance solar storms, occurring exactly 30 years apart, can provide the agency through which the father and son can communicate using the very same ham radio in parallel time frames of 1969 and 1999. The son is John Sullivan (Jim Caviezel), a cop, and his father is Frank (Dennis Quaid! ), a firefighter who died on the job when John was 6, which just happens to be tomorrow for Frank when he and his now-adult son begin talking across time. This is great for John, because now he can warn his dad about the upcoming fire and avert the catastrophe that left him fatherless for most of his life. Accomplishing this gives John new memories of his life with Dad, but unfortunately alters the course of a serial killer, with tragic effect on John's family history. Since John's a cop, and the case he's working on turns out to be the same unsolved case from 30 years before, he and his father work together over the ham radio to solve the case and hopefully avert the tragedy that befell their family.

Time-travel stories have always been problematic, demanding either an extra degree of credulity on the part of the audience or an extra level of explanation on the part of storytellers, which is invariably cumbersome. Frequency handles the troublesome time parado! xes by having John explain how, having altered his past, he no! w experi ences both timelines, as if he's had two pasts that converge in his present. And as changes continue to be wrought in John's past, we see him becoming more and more confused. No doubt the audience can sympathize, at least those of us who try to follow the ramifications of the rapidly accruing time fractures. Luckily, the bond between father and son is so strongly realized in the deeply felt performances of both Caviezel and Quaid that you don't even need to consider the science fiction elements in order to enjoy the film. But if you can suspend your disbelief long enough to allow for the possibility of time shifts, you'll have a far richer experience. --Jim GayIn this fantasy thriller, a man is given an unusual opportunity to change the past and alter his future. A man whose father died 30 years ago when he was just a boy, makes a startling discovery when working with his ham radio one night: he can speak with his late father over the radio. Having inadvertently found a way to reach into the past, the man desperately struggles to warn his father of the dangers that will come his way, in hopes of changing his tragic fate.Because we see the world from a physical perspective, we often don't notice what's right in front of us â€" that our spirit, thoughts, emotions, and body are all made of energy. Inside us and everywhere around us, life is vibrating. In fact, each of us has a personal vibration that accurately communicates who we are to the world and helps shape our reality. Frequency shows readers how to feel their personal vibration, improve it, and use it to shift their life from ordinary to extraordinary. A simple shift in frequency can change depression to peace, anger to stillness, and fear to enthusiasm.

Weaving together basic ideas from quantum physics with proven intuition development techniques, Frequency takes readers into deeper concepts only hinted at in recent popular books and DVD's featuring the Law of Attraction. By learning to refine the "conscious sensitivity" of their body, readers can improve relationships, find upscale solutions to probl! ems, and materialize a life that contains everything they want and need to live their destiny.

Frequency gives readers a reassuring, step-by-step roadmap into a positive state of awareness that Peirce calls The Intuition Age. By learning to use "frequency principles" â€" methods based on the way energy actually functions â€" readers can keep their energy level high and productive, receive subtle information directly from the environment via "empathic resonance," and quickly free themselves from negative or low "vibrations."DVD Features:
Audio Commentary
Biographies
Documentaries
Interviews
Photo gallery

A renowned intuitive and visionary shows you how to know what you need to know just when you need to know it.

Intuition is not a rare gift that only a gifted few possess but an innate human capacity that can be enhanced and developed. Synthesizing insights from psychology, East- West philosop! hy, religion, metaphysics, and business, this hands-on workboo! k in the tradition of Julia Cameron’s The Artist’s Way, can teach anyone to achieve a heightened state of perceptual vitality and integrate it into daily life. Intuition, writes Penney Peirce, is “not the opposite of logic,” but rather “a comprehensive way of knowing life that includes both left-brain analytical thinking and right-brain communication states.” On a practical level, intuition enables us to learn faster and make quicker, more inspired decisions. On a deeper level, it “is a powerful tool that can heal the painful split we all feel between our earthly, mundane selves and our divine, eternal selves.” Widely praised in its earlier editions, this new edition of The Intuitive Way, with a Foreword by Carol Adrienne, will introduce Penney Peirce’s pioneering work to a whole new readership.Frequency is really two different--though inextricably linked--movies. First, the emotional drama of a father and son reunited after 30 years of separation. Then ther! e's a science fiction thriller, in which a couple of chance solar storms, occurring exactly 30 years apart, can provide the agency through which the father and son can communicate using the very same ham radio in parallel time frames of 1969 and 1999. The son is John Sullivan (Jim Caviezel), a cop, and his father is Frank (Dennis Quaid), a firefighter who died on the job when John was 6, which just happens to be tomorrow for Frank when he and his now-adult son begin talking across time. This is great for John, because now he can warn his dad about the upcoming fire and avert the catastrophe that left him fatherless for most of his life. Accomplishing this gives John new memories of his life with Dad, but unfortunately alters the course of a serial killer, with tragic effect on John's family history. Since John's a cop, and the case he's working on turns out to be the same unsolved case from 30 years before, he and his father work together over the ham radio to solve the ! case and hopefully avert the tragedy that befell their family! .

Tim e-travel stories have always been problematic, demanding either an extra degree of credulity on the part of the audience or an extra level of explanation on the part of storytellers, which is invariably cumbersome. Frequency handles the troublesome time paradoxes by having John explain how, having altered his past, he now experiences both timelines, as if he's had two pasts that converge in his present. And as changes continue to be wrought in John's past, we see him becoming more and more confused. No doubt the audience can sympathize, at least those of us who try to follow the ramifications of the rapidly accruing time fractures. Luckily, the bond between father and son is so strongly realized in the deeply felt performances of both Caviezel and Quaid that you don't even need to consider the science fiction elements in order to enjoy the film. But if you can suspend your disbelief long enough to allow for the possibility of time shifts, you'll have a far rich! er experience. --Jim GayDVD

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Sicko (Special Edition)

  • Following on the heels of his Palm d'Or winning Fahrenheit 9/11 and his Oscar winning film Bowling for Columbine, acclaimed filmmaker Michael Moore's new documentary sets out to investigate the American healthcare system. Sticking to his tried-and-true one-man approach, Moore sheds light on the complicated medical affairs of individuals and local communities. Format: DVD MOVIE Genre:
Acclaimed filmmaker Michael Moore (Roger & Me) takes aim at America's love affair with guns and violence in this Oscar(r)-winning* film that "demands attention" (People)! Mixing riveting footage, hilarious animation and candid interviews with everyone from the NRA's Charlton Heston to shock-rocker Marilyn Manson, Bowling for Columbine is a "brilliant" (The Hollywood Reporter) tour de force of filmmaking. *2002: Documentary FeatureMichael Moore's superb documentary (following in the footsteps of Roger & Me and The Big One) tackles a meaty subject: gun control. Moore skillfully lays out arguments surrounding the issue and short-circuits them all, leaving one impossible question: why do Americans kill each other more often than people in any other democratic nation? Moore focuses his quest around the shootings at Columbine High School and the shooting of one 6-year-old by another near his own hometown of Flint, Michigan. By approaching the headquarters of K-Mart (where the Columbine shooters bought their ammo) and going to Charlton Heston's own home, Moore demands accountability from the forces that support unrestricted gun sales in the U.S. His arguments are conducted with the humor and empathy that have made Moore more than just a gadfly; he's become a genuine voice of reason in a world driven by fear and greed. --Bret FetzerStudio: Tcfhe/mgm Release Date: 08/04/2008The Michael Moore Limited Edition DVD Collector's Set collects two of his landmark do! cumentaries as well as a bonus disc of footage from the tour p! romoting his 2003 book Dude, Where's My Country? Bowling for Columbine (2002) tackles a meaty subject: gun control. Moore skillfully lays out arguments surrounding the issue and short-circuits them all, leaving one impossible question: why do Americans kill each other more often than people in any other democratic nation? Moore focuses his quest around the shootings at Columbine High School and the shooting of one 6-year-old by another near his own hometown of Flint, Michigan. By approaching the headquarters of K-Mart (where the Columbine shooters bought their ammo) and going to Charlton Heston's own home, Moore demands accountability from the forces that support unrestricted gun sales in the U.S. His arguments are conducted with the humor and empathy that have made Moore more than just a gadfly; he's become a genuine voice of reason in a world driven by fear and greed. The two-disc special edition included here is officially out of print and not available separately.! Its features include an updated voice-over introduction from Michael Moore on the first disc, as well as a direct-to-camera talk on the second disc in which he discussed reactions to the film, and his reaction to winning an Oscar (he had to recite his celebrated acceptance speech because the Academy refused permission for him to show a clip, and he offered his take on who was booing whom). Other extras are an enthusiastic commentary track by Moore's former receptionists and interns; good, thoughtful, funny, and provocative interviews with ex-Clinton Press Secretary Joe Lockhart and with film critic Charlie Rose; and a moving return to Littleton, Colorado--home of Columbine High School--to find out what local people thought of the documentary.

A brazen mixture of stand-up comedy, political commentary, CEO confrontations, and shenanigans with Random House tour escorts, The Big One (1997) follows Moore's book tour to promote Downsize This. In cities l! ike Des Moines, Minneapolis, St. Louis, and Portland, Moore's ! lighthea rted-sounding but deeply biting humor speaking before bookstore patrons is juxtaposed with painful-to-watch confrontations with security personnel at companies such as Procter & Gamble and PayDay. Moore speaks clandestinely with Borders employees organizing a union; a woman laid off from Ford attends Moore's Rockford, Illinois, bookstore visit the same day. Though slow in spots, frustrating if not depressing in others, it's intensely funny the rest of the time. The Big One is fundamental viewing.

On the bonus disc is a 13-minute featurette, "39 Cities in 23 Days." On the tour for his book Dude, Where's My Country?, Moore enthralls and amuses enthusiastic college crowds with points about the Bush-Saudi connections, voting machines, and "weapons of mass balloonery."Michael Moore's superb documentary (following in the footsteps of Roger & Me and The Big One) tackles a meaty subject: gun control. Moore skillfully lays out arguments surrounding the! issue and short-circuits them all, leaving one impossible question: why do Americans kill each other more often than people in any other democratic nation? Moore focuses his quest around the shootings at Columbine High School and the shooting of one 6-year-old by another near his own hometown of Flint, Michigan. By approaching the headquarters of K-Mart (where the Columbine shooters bought their ammo) and going to Charlton Heston's own home, Moore demands accountability from the forces that support unrestricted gun sales in the U.S. His arguments are conducted with the humor and empathy that have made Moore more than just a gadfly; he's become a genuine voice of reason in a world driven by fear and greed. --Bret FetzerFollowing on the heels of his Palm d'Or winning Fahrenheit 9/11 and his Oscar winning film Bowling for Columbine, acclaimed filmmaker Michael Moore's new documentary sets out to investigate the American healthcare system. Sticking to his tried-and-true! one-man approach, Moore sheds light on the complicated medica! l affair s of individuals and local communities.SiCKO is more like a controlled howl of protest than a documentary. Toning down the rhetoric of past efforts--no CEOs, congressmen, or celebrities were accosted in the making of this film--Michael Moore's latest provocation is just as heartfelt, if not more heartbreaking. As he clarifies from the outset, his subject isn't the 45 million Americans without insurance, but those whose coverage has failed to meet their needs. He starts by speaking with patients who've been denied life-saving procedures, like chemotherapy, for the most spurious of reasons. Then he travels to Canada, England, and France to see if socialized medicine is as inefficient as U.S. politicians like to claim--especially those who receive funding from pharmaceutical companies. Moore finds quality care available to all, regardless as to income. He concludes with a stunt that made headlines when he assembles a group of 9/11 rescue workers suffering from a variety ! of afflictions. When Moore is informed that detainees at Guantánamo Bay--technically American soil--qualify for universal coverage, he and his companions travel to Cuba to get in on that action. It's a typically grandstanding move on Moore's part. And it proves remarkably effective when these altruistic individuals, who've either been denied treatment or forced to pay outrageous costs for their medication, experience a dramatically different system. Nine years in the making, SiCKO makes a persuasive case that it's time for America to catch up with the rest of the world. --Kathleen C. Fennessy

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The Chorus (Les Choristes)

  • An inspirational story in the rich tradition of MUSIC OF THE HEART and MR. HOLLAND'S OPUS, THE CHORUS has moved critics everywhere to declare it one of the year's very best films! When he takes a job teaching music at a school for troubled boys, Cl ment Mathieu is unprepared for its harsh discipline and depressing atmosphere. But with passion and unconventional teaching methods, he's a
An inspirational story in the rich tradition of MUSIC OF THE HEART and MR. HOLLAND'S OPUS, THE CHORUS has moved critics everywhere to declare it one of the year's very best films! When he takes a job teaching music at a school for troubled boys, Clément Mathieu is unprepared for its harsh discipline and depressing atmosphere. But with passion and unconventional teaching methods, he's able to spark his students' interest in music and bring them a newfound joy! It also puts him at odds with the school's overbear! ing headmaster, however, locking Mathieu in a battle between politics and the determination to change his pupils' lives!By getting nominated for Academy Awards in both the Foreign Language Film and Best Song categories, Les Choristes (The Chorus) made a rare (for a European film) double impression at the 2004 Oscars. This sentimental tale follows the arrival of a new teacher at a remote boys school in 1949 France (the war is a largely unspoken but ghostly presence). With disciplinary problems rampant, and the policies of the old-fashioned headmaster not helping, Monsieur Mathieu decides to introduce choral singing as a way to bridge the gap with his students. You don't need a crystal ball to figure out where this will go, although the movie uses its atmospheric location and lush vocal arrangements well. Bald, dumpy Gerard Jugnot provides a refreshingly offbeat hero (though securely in the traditions of the My Most Memorable Teacher movie); he's sort of a younger Phil! ippe Noiret. Director Christophe Barratier works in the winsom! e-cute m ode that makes a certain kind of French movie into an overly sweet bon bon, although at least this bon bon sings. --Robert Horton
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Black Cat , White Cat [Import ,All Regions, English Subtitles]

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The Fighter

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Grindhouse (Two-Disc Collector's Edition) [Blu-ray]

  • GRINDHOUSE SPECIAL BLU-RAY ED. (BLU-RAY DISC)
Together for the first time the Rodriguez/Tarantino Double Feature Grindhouse is back and better than ever! These rip-roaring and adrenaline-pumping films are now featured in the original theatrical exhibition format. Loaded with over 2 hours of bonus content, including the fan favorite Rodriguez's 10 Minute Cooking School this 2-disc Blu-Ray will deliver a new experience like never before!Loud, fast, and proudly out of control, Grindhouse is a tribute to the low-budget exploitation movies that lurked at drive-ins and inner city theaters in the '60s and early '70s. Writers/directors Quentin Tarantino (Kill Bill) and Robert Rodriguez (Sin City) cooked up this three-hour double feature as a way to pay homage to these films, and the end result manages to evoke the down-and-dirty vibe of the original films fo! r an audience that may be too young to remember them. Tarantino's Death Proof is the mellower of the two, relatively speaking; it's wordier (as to be expected) and rife with pulp/comic book posturing and eminently quotable dialogue. It also features a terrific lead performance by Kurt Russell as a homicidal stunt man whose weapon of choice is a souped-up car. Tarantino's affection for his own dialogue slows down the action at times, but he does provide showy roles for a host of likable actresses, including Rosario Dawson, Mary Elizabeth Winstead, Rose McGowan, Sydney Poitier, and newcomer Zoe Bell, who was Uma Thurman's stunt double in Kill Bill. Detractors may decry the rampant violence and latch onto a sexist undertone in Tarantino's feature, but for those viewers who grew up watching these types of films in either theaters or on VHS, such elements will be probably be more of a virtue than a detrimental factor. Rodriguez's Planet Terror is a rol! licking horror/sci-fi/action piece about a plague outbreak tha! t turns citizens into cannibalistic murderers; it's heavy on the gore and explosions but also features a terrific cast of A players (Freddy Rodriguez, Naveen Andrews, Marley Shelton) and B-movie vets (Michael Biehn, Jeff Fahey, Tom Savini) and the indelible image of Rose McGowan as a stripper whose torn-off leg is replaced by a high-powered machine gun.- Paul Gaita

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Born Romantic: Music From The Motion Picture (Original Soundtrack)

  • OST
  • O.S.T.
  • 5099750182420
Three young meneach cursed with two left feetfind that the right steps to salsa dancing can lead to love in this hilarious romantic film"a feel-good date movie in the Four Weddings mold" (Uncut)! Starring Craig Ferguson ("The Drew Carey Show"), Ian Hart (Harry Potter and the Sorcerer's Stone), Jane Horrocks ("Absolutely Fabulous"), Adrian Lester, Catherine McCormack,Jimi Mistry, David Morrissey and Olivia Williams (The Sixth Sense), Born Romantic will take you for a dizzying spin through three quirky courtshipsand leave you "smiling and believing that love really can conquer all" (Good Housekeeping)! A certified lounge lotharioseeks to heat things up with an art historian who's cooled on the idea of love. A failed musician wants to strum the right chord with the bride he jilted years earlier. And a dyslexic mugger with a chloroform-doused cloth finds ! himself knocked out by a pretty grave attendant. They've got their workcut out for them. And yet, at a local club pulsating with the hot sounds of salsa music, any one ofthese three could find the answer to his romantic quandary if they can only find the rhythm in time.A cheeky comedy about love's labor being well beyond lost, Born Romantic stutters out of the gate and never quite recovers. Perhaps it's the gaggle of local quips, jokes based on British television personalities, for instance, or the cameo-like nature of its ever-revolving cast, but director David Kane can't seem to sit still long enough to artfully set up his punch lines--anathema to a feature-length comedy. Set mostly in a London salsa club, the film trails behind a series of lonely thirtysomething singles as they search out one-night stands in the hopes of stumbling upon something more meaningful, namely love. As they shuttle to and fro in late-night minicabs, we're afforded insight into their short! comings, past disappointments, shagging abilities, and ostensi! ble char ms, the cab serving as both confession booth and makeshift bedroom. Featuring a cast of recognizably talented faces, including Jimi Mistry (East Is East) and Olivia Williams (Rushmore), Born Romantic unfortunately never manages to shake its initial impression of being an inflated sitcom better pared down for television. --Fionn MeadeTrack listing 1. Acuyuye - DLG // 2. Oye Como Va - Feliciano, Cheo // 3. Ella Fue - Fania Allstars // 4. Love - Cole, Nat 'King' // 5. Indestructible - Salinas, Robby // 6. Ran Kan Kan - Puente, Tito // 7. Pintame - Crespo, Elvis // 8. Born Romantic - Boswell, Simon // 9. Fear And Love - Morcheeba // 10. Sway - Martin, Dean // 11. La Enganadora - Gonzalez, Ruben // 12. Baby Won't You Please Come Home - Horrocks, Jane & Dean Martin // 13. Ojala - Kassav // 14. Como Ves - Ozomatli // 15. No Me Dejes De Querer (Flores Del Caribe mix) - Estefan, Gloria // 16. London By Day - Boswell, Simon // 17. Love - Ferguson, Craig // 18. Yes Sir I Can Boogie - Miranda, Nina
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