Wednesday, November 9, 2011

Forces of Nature [Blu-ray]

  • NAT GEO-FORCES OF NATURE BLU-RAY (BLU-RAY DISC)
FORCES OF NATURE - DVD MoviePlane crashes, pickpockets, hurricanes--heaven and hell is moving to prevent our able hero Ben (Ben Affleck) from marrying his sweetie (Maura Tierney) in Savannah. At every turn he runs into someone else despairing about the woes of married life. And of course, temptation proves overwhelming in the face of traveling companion Sarah (Sandra Bullock), the wild woman whom he can't seem--or doesn't want--to lose.

After a wayward bird flies into the engine of his airplane, Ben is forced to find another way to his wedding. He finds himself stuck with Sarah, whom he carried from the plane after she was whacked in the noggin by his laptop. The heat between them is unmistakable, and the drama in the film comes from the "will he or won't he," both in terms of sleeping with Sarah and meeting up with his bride. Forces of ! Nature is a fun and sentimental road-trip film, but Ben is such a strait-laced noodge, you can't help but want him to fall flat on his face just a little. Bullock is the life of this film, although her free-spirited ways get a bit tired (responsibility is not all bad). The highlight of this movie, though, is definitely the cinematography. The beautiful rain shots and the colors of the scenes lend to the unsettling mood. While the jokes are not rip-roaring, Forces is to be reckoned with for those times when a lighthearted film is what you need. --Jenny BrownFORCES OF NATURE - DVD Movie

Slippery when wet…


Forces of Nature, Book 1


From her first kiss to her first sight of dolphins dancing on the waves, Alexia Colten has always held a special place in her heart for Jaffrey’s Cove. Now that she’s back to help her grandmother settle into a home, she discovers this place has lost none of its remembered magic. In fac! t, it seems more magical than beforeâ€"and more erotic.

Af ter she’s gifted with a beautiful, dolphin-etched medallion, she finds herself surrounded by the golden boys of summers past. Her body is filled with longings she can’t explain and dreams of blue lights that turn into lovers.


Joshua Marley and his cousin Anthony are merfolk, a people capable of living beneath the waves as either dolphin or human. Alexia holds the medallion that marks her as the next in line to lead their peopleâ€"if she can prove she can transform. Working in tandem, they’re sure they can arouse her passion and protect her from those who would use her simply to gain power.


But their strength alone may not be enough to help her face the challenge of her new position…


Warning: This title contains a conniving granny, naked men in the surf and shifters who take fun in the water to new depths. Snorkels not required.

Slippery when wet…


Forces of Nature, Book 1


From her first kiss to h! er first sight of dolphins dancing on the waves, Alexia Colten has always held a special place in her heart for Jaffrey’s Cove. Now that she’s back to help her grandmother settle into a home, she discovers this place has lost none of its remembered magic. In fact, it seems more magical than beforeâ€"and more erotic.


After she’s gifted with a beautiful, dolphin-etched medallion, she finds herself surrounded by the golden boys of summers past. Her body is filled with longings she can’t explain and dreams of blue lights that turn into lovers.


Joshua Marley and his cousin Anthony are merfolk, a people capable of living beneath the waves as either dolphin or human. Alexia holds the medallion that marks her as the next in line to lead their peopleâ€"if she can prove she can transform. Working in tandem, they’re sure they can arouse her passion and protect her from those who would use her simply to gain power.


But their strength alone may no! t be enough to help her face the challenge of her new position! …

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Warning: This title contains a conniving granny, naked men in the surf and shifters who take fun in the water to new depths. Snorkels not required.

In recent years, we've seen just how unpredictable - and dangerous - weather can be. Flash floods. Tsunamis. Class 5 hurricanes. Freak ice storms. Catastrophic mudslides. Nature has not only changed the face of the Earth, but also the lives of those who've found themselves in its fierce path. With award-winning and never-before-seen footage, Full Force Nature captures extreme weather in all its terrible beauty, and the stories of those who've survived it.

FEATURING 12 EPISODESWitness the awesome power and the unimaginable destruction of explosive volcanoes, ground-buckling earthquakes, and deadly tornadoes as you head into the field with scientists who risk their lives exploring the origins and behaviors of these fearsome natural disasters.

Venture to the brink of an erupting volcano on the! Caribbean island of Montserrat; crisscross the Midwest's infamous Tornado Alley; with storm chasers racing to unlock the secrets of monster twisters; and discover how the history of massive, city-leveling earthquakes in Turkey is helping scientists predict where and when the next killer quake will strike.

It's a spectacular, up close glimpse of the Earth's most destructive forces. Narrated by Kevin Bacon.

Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb (1964) - 11 x 17 - Style A

  • Wonderful poster to add to any collection
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Psychotic Air Force General unleashes ingenious foolproof and irrevocable scheme sending bombers to attack Russia. U.S. President works with Soviet premier in a desperate effort to save the world.Arguably the greatest black comedy ever made, Stanley Kubrick's cold war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids," mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called "Doomsday Device," and the world hangs in the balance while the U.S. president (Pe! ter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad bomb-maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptable losses." With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens's character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff ShannonBlu-ray release on the title's 45th Anniversary comes loaded with extras! Bonus material includes a new documentary (No Fighting In The War Room), a new featurette (Best Sellers or: Peter Sellers and Dr. Strangelove) and an interview with former Defense secretary Robert McNamara.

For the first time ever on stunning Blu-ray High Def, Dr. Strangelove 45th Anniversary Ed! ition book package includes a 32-page graphic booklet. New! added v alue content includes “The Cold Facts” and Picture-in-Graphics/Picture-in-Picture track.Arguably the greatest black comedy ever made, Stanley Kubrick's cold war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids," mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called "Doomsday Device," and the world hangs in the balance while the U.S. president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad bomb-maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptabl! e losses." With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens's character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff ShannonDR. STRANGELOVE OR HOW I LEARNED TO S - DVD MovieArguably the greatest black comedy ever made, Stanley Kubrick's cold war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids," mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called "Doomsday Device," and the world hangs in the balance while the U.S. president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counte! rpart. Sellers also plays a British military attaché and the ! mad bomb -maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptable losses." With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens's character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff ShannonArguably the greatest black comedy ever made, Stanley Kubrick's cold war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids," mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called "Doomsday Device," and the world hang! s in the balance while the U.S. president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad bomb-maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptable losses." With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens's character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff ShannonWith the 1957 release of Paths of Glory, Stanley Kubrick confirmed his early promise and joined the ranks of world-class filmmakers. The age of the auteur had arrived, and Kubrick was a prime candidate for inclusion in the pantheon of directors later canonized by critic Andrew Sarris in his influential book The Am! erican Cinema. Ironically, this was also the period durin! g which Kubrick left his native soil for permanent residence in England, and from that point forward, the Kubrick mystique inflated to legendary proportions. But if Kubrick was no longer bringing himself to the world, he was certainly bringing the world to his films. From the comfort of his rural England estate and locations never far from London, Kubrick would command cinematic odysseys to isolated Colorado (in The Shining), battle-ravaged Vietnam (Full Metal Jacket), upscale New York City (Eyes Wide Shut), and, of course, Jupiter and Beyond the Infinite (in 2001: A Space Odyssey).

Released on VHS and DVD just prior to the July 1999 theatrical release of Kubrick's final film, Eyes Wide Shut, The Stanley Kubrick Collection includes all seven of Kubrick's films from Lolita to Full Metal Jacket--a quarter-century of brilliant, challenging cinema. Authorized by Kubrick prior to his sudden death in March of 1999, th! e boxed set represents a cooperative effort among the Warner, Columbia, and MGM labels (with Killer's Kiss, The Killing, and Paths of Glory released simultaneously by MGM). All films retain the superior digital mastering of their earlier releases on laserdisc and DVD, and although purists have complained that The Shining and Full Metal Jacket have been released in full-screen format only, this was in compliance with Kubrick's wishes and both films do not suffer unduly from full-screen formatting.

The diversity of Kubrick's work is truly astonishing, even though the director's technical precision and steely perspective on humanity may strike uninitiated viewers as cold and even misanthropic. From the rich, black comedy of Lolita to the bleak heart of darkness explored in Full Metal Jacket, Kubrick's films almost always received mixed (and sometimes scathingly negative) reviews upon their release, only to benefit! from glowing reassessment as they grew entrenched in the pub! lic cons ciousness. Here, in all their glory, are the collected films of a genuine master, ripe for study and appreciation for many years to come. --Jeff ShannonDr. Strangelove is one of the boldest anti-war statements of all time--a darkly satirical vision of the Cold War and of military prowess lethally fueled by human stupidity. The novel's characters are indelible: the commie-hating, redneck pilot, Major Kong; the wildly paranoiac, nuclear-assault launching General Ripper; and, of course, Dr. Strangelove, the sinister, wheelchair-bound, ex-Nazi scientist, for whom world destruction is the only bang big enough to satisfy. Peter George co-wrote the screenplay for Dr. Strangelove with Terry Southern and Stanley Kubrick, who directed the celebrated film.Arguably the greatest black comedy ever made, Stanley Kubrick's cold war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General ! Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids," mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called "Doomsday Device," and the world hangs in the balance while the U.S. president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad bomb-maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptable losses." With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens's character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff Shannon11" x 17" high quality reproduc! tion poster by Pop Culture Graphics. Printed in the USA. Per! fect for framing.

Tuesday, November 8, 2011

Elektra (Widescreen Edition)

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FROM THE FORCES THAT BROUGHT YOU X-MEN AND DAREDEVIL?Superstar Jennifer Garner proves that looks can kill as the sexiest action hero ever to burst from the pages of Marvel Comics. Restored to life after sustaining mortal wounds in Daredevil, an icy, solitary Elektra (Garner) now lives only for death as the world?s most lethal assassin. Using her bone-crunching martial arts skills and Kimagure?the ability to see into the future?Elektra is on a collision course with darkness? until her latest assignment forces her to make a choice that will lead either to her redemption or destruction in the ultimate battle between good and evil!While 2003's Daredevil was a conventional superhero movie, the 2005 spinoff, Elektra, is more of a wuxia-styled martial arts/fantasy flick. Elektra (Jennifer Garner) has returned to her life as a hired assassin, but she balks at an assignment! to kill a single father (Goran Visnjic, ER) and his teenage daughter (Kirsten Prout). That makes her the target of the Hand, an organization of murderous ninjas, scheming corporate types, and a band of stylish supervillains seeking to eliminate Elektra and tip the balance of power in the ongoing battle of good vs. evil.

As the star of Alias, Garner has proven that she can kick butt with the best of them, and some of the visual effects are impressive, but the action sequences tend to be anticlimactic, and there's not much to the story. Fans will notice numerous references to Frank Miller's comic books, but there's very little resemblance to Miller's cold-blooded killer (Elektra with an agent? Elektra referring to herself as a "soccer mom"?).

Is Elektra better than Daredevil? Not really, even with the distinct advantage of having all Garner and no Ben Affleck. That could be the spinoff's greatest disappointment: after Spider! -Man 2 raised the bar for comic-book movies, Elektra lowere d it back to Daredevil's level. Directed by Rob Bowman (the X-Files movie), and featuring Terence Stamp as the mysterious mentor Stick, Will Yun Lee (Die Another Day) as the chief villain, and NFL-player-turned-mixed-martial-arts-champion Bob Sapp as the immovable Stone.

DVD features
Ben Affleck's much-rumored cameo is one of the deleted scenes on the Elektra DVD. It's a one-minute throwaway, and while he's supposedly appearing as Matt Murdock (who romanced Elektra in Daredevil), the barrage of celebrity gossip makes it impossible to see him as anything other than Jennifer Garner's real-life boyfriend. There's also a making-of featurette, which is mostly promotional hype other than a few interesting effects shots; four editing featurettes; and Jennifer Garner's videotaped message to ComicCon. --David Horiuchi

More on Elektra


Elektra: The Album (Soundtrack CD)

Elektra: The Movie (Comic Adaptation)

Frank Miller Comic Books

Daredevil (Director's Cut) (DVD)

Jennifer Garner stars in Alias (DVD)

More Superhero DVDs

My Boy Jack

  • Its 1915 and World War I has been declared. Aged only 17, Kiplings son, like most of his generation, is swept up in the enthusiasm to fight the Germans, a mood stoked vigorously by his father. Jack is cripplingly short sighted and the army has rejected him twice, rendering him too myopic even for an army suffering thousands of casualties a week and desperate for recruits. Yet Rudyard is undeterred
They share the same birth month, so the orphanage calls them December Boys. But these teens â€" Maps, Spit, Spark and Misty â€" have much more in common. With no hopes of ever joining a family, they form their own familial bonds. Then the unexpected news comes that a young couple may adopt one of them, and the long-time pals suddenly share something else: a rivalry to be the chosen one.Its 1915 and World War I has been declared. Aged only 17, Kiplings son, like most of his generation, is swept! up in the enthusiasm to fight the Germans, a mood stoked vigorously by his father. Jack is cripplingly short sighted and the army has rejected him twice, rendering him too myopic even for an army suffering thousands of casualties a week and desperate for recruits. Yet Rudyard is undeterred, determined that his son should go to the front, like countless other sons, and fight for the values that he, Kipling, espouses so publicly. Using his fame and influence, Kipling persuades Lord Roberts, on his death bed, to get Jack a commission in the Irish guards. This intervention is barely tolerated by Carrie and daughter Elise (Carey Mulligan), as they disagree that Jack is fit to fight and fear for his safety on the front line. Jack is instantly popular with his troop he is a great leader and trains tirelessly to overcome the disability that is his eyesight. Six months later Jack sails to France as a lieutenant. Jack went missing in action during the Battle of Loos and his mother a! nd father carried out an increasingly desperate search for him! , spanni ng many years and many miles.

DVD Features:
Deleted Scenes
Interviews

As affecting as it is thought-provoking, ITV's My Boy Jack illustrates the dangers of unbridled patriotism. To grow up the child of a famous author is burden enough, but when the boy must embody the beliefs of the man, the consequences can be devastating. In the case of John "Jack" Kipling (Harry Potter's Daniel Radcliffe in his most mature role to date), 17-year-old son of Rudyard Kipling (Four Weddings and a Funeral's David Haig), his father's passion for King and Country leads to a preventable tragedy. Based on Haig's play, the proceedings begin in 1914, prior to the outbreak of World War II. Jack attempts to join the army and the navy, but both reject him due to severe shortsightedness, so Kipling Sr. pulls strings to place him with the Irish Guards. Jack's sister, Elsie (Bleak House's Carey Mulligan), and American-born mother, Caroline (a! brunette Kim Cattrall), would rather he serve the war effort at home. Through hard work and determination, Jack scales the ranks from private to lieutenant, but goes missing in France, and many months pass before the family solves the mystery of his disappearance. In the end, My Boy Jack, which aired in England on Remembrance Day, concerns itself more with paying tribute than apportioning blame, and Haig skillfully portrays Kipling's guilt in putting his son in harm’s way and pride in a brave soldier who "played his part properly." Special features include interviews and deleted scenes. Parental advisory suggested due to situation-appropriate language and teen smoking. --Kathleen C. Fennessy

G-Force (Single Disc Widescreen)

  • Buckle up for thrilling edge-of-your seat action and laugh-out-loud fun in Disney's family comedy adventure G-FORCE. Just as the G-Force -- an elite team of highly trained guinea pigs -- is about to save the world, the F.B.I. shuts the secret unit down. But these next-generation action heroes -- Darwin, loyal team leader; Blaster, weapons expert with attitude to spare; Juarez, drop-dead gorgeous m
A successful rap producer is reunited with his former love and tries to win her back, away from her abusive husband.
Genre: Feature Film-Drama
Rating: R
Release Date: 1-MAY-2007
Media Type: DVDG. is an engrossing update of The Great Gatsby, set in the Hamptons and starring Richard T. Jones as Summer G., a self-made, millionaire head of a hip-hop label. Having risen from obscurity to make his fortune, Summer pines for just one thing: Sky (Chenoa M! axwell), the woman who dumped him back in college to marry the brutal, philandering Chip (Blair Underwood). Sky's feckless cousin, Tre (Andre Royer), a pop journalist, sets her up in an assignation with Summer, leading to predictable conflicts but with unexpected consequences. Co-written and directed by Christopher Scott Cherot, G. is also an interesting portrait of American wealth, particularly the collision of old and new money in the form of a biracial aristocracy coming to terms with a hip-hop elite. Strong performances alone are enough to recommend this feature. --Tom KeoghH.G. Wells best-selling classic THE TIME MACHINE.Buckle up for thrilling edge-of-your-seat action and laugh-out-loud fun in Disney’s family comedy adventure G-Force. Just as the G-Force â€" an elite team of highly trained guinea pigs â€" is about to save the world, the F.B.I. shuts the secret unit down. But these next-generation action heroes â€" Darwin, loyal team leader; Bl! aster, weapons expert with attitude to spare; Juarez, drop-dea! d gorgeo us martial arts diva; and tag-along Hurley â€" won’t be stopped. Armed with the latest in high-tech spy equipment, and with the F.B.I. on their tails, the fur flies as they race against the clock to save the world. From the producer of the Pirates Of The Caribbean trilogy and National Treasure, and filled with high-octane action, daredevil stunts, cutting-edge special effects and outrageous comedy, G-Force is fantastic fun for the whole family.G-Force just might be the best Jerry Bruckheimer action film in many a moon. The film is exuberant, and its premise--don't think big for an animated caper film, think small--brilliantly upends the more-bigger-faster trope of American action films… with cute, little, furry guinea pigs.

Bruckheimer, the action genius behind the likes of the Pirates of the Caribbean, Con Air, The Rock, Armageddon, and many more, here teams with visual effects ! maestro Hoyt Yeatman, who writes and directs. The combo is potent, and the fact that they streamed their blow-'em-up vision through a film about tiny rodents saving the world makes the whole confection a hilarious family-friendly experience as well as a satisfying action adventure. The premise isn't earth-shattering: oddball, unexpected heroes are called on to save the day (Men in Black, Underdog, etc.). But the lowly guinea pig has been long overdue to get its moment in the spotlight. And now the free world knows whom it can really trust. The film mixes the animated heroes with real-life actors, including the sardonic British character actor Bill Nighy, who plays an evil mogul out to take over and/or destroy the world. The U.S. government, it turns out, has been nurturing a special squad for occasions just such as this. It's just that it's been nurturing them in small pens with wood shavings on the floor and running wheels for exercise. Will Arnett, deadp! an and spot-on, plays the human agent who has the unenviable t! ask of w rangling the guinea pig G-Force, and is a deft foil for the bad guys as well as for the mini-heroes.

But the true powerhouse acting belongs to those giving voices to the guinea pig agents, including Sam Rockwell, Penélope Cruz, Steve Buscemi, and, as the voice of a domesticated layabout, Jon Favreau. The film's standout, though, is Tracy Morgan, whose Agent Blaster is bellicose, fearless, and as full of malapropisms as Morgan's character on 30 Rock. (In fact, the viewer keeps half-expecting Blaster to turn to Cruz's female agent, Juarez, and yell "Liz Lemon!") G-Force is full of belly laughs for kids, as well as their action-film-fan parents. --A.T. Hurley

Stills from G-Force (Click for larger image)





Victorinox Men's Dry Tech Half Zip Baselayer Shirt, Dark Empire Blue, X-Large

It's Called a Breakup Because It's Broken: The Smart Girl's Break-Up Buddy

  • ISBN13: 9780767921961
  • Condition: New
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There’s no doubt about itâ€"breakups suck. But in the first few hours or days or weeks that follow, there’s one important truth you need to recognize: Some things can’t and shouldn’t be fixed, especially that loser who dumped you or forced you to dump him. It’s called a breakup because it’s broken, and starting right here, right now, it’s time to dry your tears, put down that pint of ice cream, log out of his e-mail, and open this book to Chapter Oneâ€"and start turning your breakup into a breakover.

From Greg Behrendt, the co-author of the smash two-million copy bestseller He’s Just Not That Into You, comes It’s Called a Breakup Because It’s Broken--the ! ultimate survival guide to getting over Mr. Wrong and reclaiming your inner Superfox. From how to put yourself through “he-tox,” to how to throw yourself a kick-ass pity party, Greg and his wife, Amiira, share their hilarious and helpful roadmap for getting past the heartache and back into the game. You will learn:

• Why you shouldn’t call himâ€"and what he’s thinking when you do
• How to keep your friends and not lose your job
• How to avoid breakup pitfalls: IMing, stalking, having sex with your ex
• Reframing realityâ€"seeing the relationship for what it was
• How to transform yourself into a hot, happening Superfox and get a jump on the better, brighter future that awaits

Complete with an essential workbook to help you put the crazy down on paper and not take it out into the world, It’s Called a Breakup Because It’s Broken is a must-have manual for finding your way back to an even more rocking you.

The Hurt Locker

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  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; NTSC; Subtitled; Widescreen
The official book tie-in to the critically acclaimed, original war thriller, directed by Kathryn Bigelow (K-19: The Widowmaker, Near Dark, Strange Days, Point Break) and written by Mark Boal (In the Valley of Elah), portraying the nerve-wracking missions of a military bomb squad in Baghdad.

One of the most highly touted war films in recent memory, The Hurt Locker is a riveting, extraordinary story of courage and survival on the Baghdad bomb squad, directed by Kathryn Bigelow, from a script by journalist and screenwriter Mark Boal, who researched the material by traveling to the war in Iraq, where he was embedded with a U.S. Army bomb squad in 2004. Boal’s screenplay, a fictional tale inspired by real events, follows the layered,! complex relationship between three soldiers who are thrown together in the crucible of combat, and stars Jeremy Renner, Anthony Mackie, Brian Geraghty, and Evangeline Lilly, with Guy Pearce, Ralph Fiennes, and David Morse.

In addition to the complete shooting script, this Newmarket Shooting Script® Book includes an exclusive introduction by Kathyrn Bigelow, a 16-page color photo section, production notes, storyboards, and complete cast and crew credits.
This digital document is an article from Commonweal, published by Commonweal Foundation on September 11, 2009. The length of the article is 1382 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: War as narcotic: 'The Hurt Locker'.(Screen)(Critical essay)
Author: Richard AllevaPublication: Commonweal (Magazine/! Journal)
Date: September 11, 2009
Publisher: Commonweal Foundation
Volume: 136 Issue: 15 Page: 24(2)

Article Type: Critical essay

Distributed by Gale, a part of Cengage LearningThis digital document is an article from CineAction, published by CineAction on June 22, 2010. The length of the article is 7483 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

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Title: Explosive structure: fragmenting the new modernist war narrative in The Hurt Locker.
Author: Douglas A. Cunningham
Publication: CineAction (Magazine/Journal)
Date: June 22, 2010
Publisher: CineAction
Issue: ! 81 Page: 2(9)

Distributed by Gale, a part of Cengage LearningThis digital document is an article from Sojourners Magazine, published by Sojourners on June 1, 2010. The length of the article is 497 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

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Title: Violence resistance.(ONFILM)(Shutter Island and The Hurt Locker )(Movie review)
Author: Gareth Higgins
Publication: Sojourners Magazine (Magazine/Journal)
Date: June 1, 2010
Publisher: Sojourners
Volume: 39 Issue: 6 Page: 39(1)

Article Type: Movie review

Distributed by Gale, a part of Cengage LearningThis digital document is an article from T! he Santa Fe New Mexican (Santa Fe, NM), published by The Santa! Fe New Mexican on July 29, 2009. The length of the article is 635 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: 'HURT LOCKER' PRODUCER LAUDS FILM CREW - AND N.M. INDUSTRY.(Main)
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Publisher: The Santa Fe New Mexican
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Distributed by Gale, a part of Cengage Learning
The Newmarket Shooting Script® Sets offer a value-priced opportunity for screenplay lovers to build their collection. Each book within the set includes a facsimile of the film’s actual shooting script, plus exclusive extras, such as introductions by or interviews with the f! ilmmakers, notes on the film’s production, selected movie stills, and complete cast and crew credits.

This set collects the Newmarket Shooting Script® books for the three most recent Best Picture Oscar® winners:

The King's Speech: 4 Academy Awards®, including Best Picture, Best Director, and Best Original Screenplay. Features introduction by screenwriter David Seidler on his own childhood stuttering and the long journey to get the film made, and full-color photo section.

The Hurt Locker: 6 Academy Awards®, including Best Picture, Best Director, and Best Original Screenplay. Features introduction by director Kathryn Bigelow, production notes, storyboards, and full-color photo section.

Slumdog Millionaire: Academy Award® winner for Best Picture and Best Adapted Screenplay. Features foreword by screenwriter Simon Beaufoy, introduction by and Q & A with director Danny Boyle, and full-color photo section.
War is a drug. Nobody knows! that be tter than Staff Sergeant James, head of an elite squad of soldiers tasked with disarming bombs in the heat of combat. To do this nerve-shredding job, it’s not enough to be the best: you have to thrive in a zone where the margin of error is zero, think as diabolically as a bomb-maker, and somehow survive with your body and soul intact. Powerfully realistic, action-packed, unrelenting and intense, The Hurt Locker has been hailed by critics as “an adrenaline-soaked tour de force” (A.O. Scott, The New York Times) and “one of the great war movies.” (Richard Corliss, Time)The making of honest action movies has become so rare that Kathryn Bigelow's magnificent The Hurt Locker was shown mostly in art cinemas rather than multiplexes. That's fine; the picture is a work of art. But it also delivers more kinetic excitement, more breath-bating suspense, more putting-you-right-there in the danger zone than all the brain-dead, visually incoherent wrecking derbies ho! gging mall screens. Partly it's a matter of subject. The movie focuses on an Explosive Ordnance Disposal team, the guys whose more or less daily job is to disarm the homemade bombs that have accounted for most U.S. casualties in Iraq. But even more, the film's extraordinary tension derives from the precision and intelligence of Bigelow's direction. She gets every sweaty detail and tactical nuance in the close-up confrontation of man and bomb, while keeping us alert to the volatile wraparound reality of an ineluctably foreign environment--hot streets and blank-walled buildings full of onlookers, some merely curious and some hostile, perhaps thumbing a cellphone that could become a trigger. This is exemplary moviemaking. You don't need CGI, just a human eye, and the imagination to realize that, say, the sight of dust and scale popped off a derelict car by an explosion half a block away delivers more shock value than a pixelated fireball.

The setting may be Iraq in 2004, bu! t it could just as well be Thermopylae; The Hurt Locker! is no " Iraq War movie." Bigelow and screenwriter Mark Boal--who did time as a journalist embed with an EOD unit--align themselves with neither supporters nor opponents of the U.S. involvement. There's no politics here. War is just the job the characters in the movie do. One in particular, the supremely resourceful staff sergeant played by Jeremy Renner, is addicted to the almost nonstop adrenaline rush and the opportunity to express his esoteric, life-on-the-edge genius. The hurt locker of the title is a box he keeps under his bunk, filled with bomb parts and other signatory memorabilia of "things that could have killed me." That none of it has killed him so far is no real consolation. In this movie, you never know who's going to go and when; even high-profile talent (we won't name names here) is no guarantee. But one thing can be guaranteed, and that is that almost every sequence in the movie becomes a riveting, often fiercely enigmatic set piece. This is Kathryn Bigelow's best fi! lm since 1987's Near Dark. It could also be the best film of 2009. --Richard T. Jameson