- Wonderful poster to add to any collection
- Arrives rolled in a protective mailer tube
- Brand new poster ready to frame
For the first time ever on stunning Blu-ray High Def, Dr. Strangelove 45th Anniversary Ed! ition book package includes a 32-page graphic booklet. New! added v alue content includes “The Cold Facts†and Picture-in-Graphics/Picture-in-Picture track.Arguably the greatest black comedy ever made, Stanley Kubrick's cold war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids," mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called "Doomsday Device," and the world hangs in the balance while the U.S. president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad bomb-maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptabl! e losses." With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens's character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff ShannonDR. STRANGELOVE OR HOW I LEARNED TO S - DVD MovieArguably the greatest black comedy ever made, Stanley Kubrick's cold war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids," mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called "Doomsday Device," and the world hangs in the balance while the U.S. president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counte! rpart. Sellers also plays a British military attaché and the ! mad bomb -maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptable losses." With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens's character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff ShannonArguably the greatest black comedy ever made, Stanley Kubrick's cold war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids," mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called "Doomsday Device," and the world hang! s in the balance while the U.S. president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad bomb-maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptable losses." With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens's character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff ShannonWith the 1957 release of Paths of Glory, Stanley Kubrick confirmed his early promise and joined the ranks of world-class filmmakers. The age of the auteur had arrived, and Kubrick was a prime candidate for inclusion in the pantheon of directors later canonized by critic Andrew Sarris in his influential book The Am! erican Cinema. Ironically, this was also the period durin! g which Kubrick left his native soil for permanent residence in England, and from that point forward, the Kubrick mystique inflated to legendary proportions. But if Kubrick was no longer bringing himself to the world, he was certainly bringing the world to his films. From the comfort of his rural England estate and locations never far from London, Kubrick would command cinematic odysseys to isolated Colorado (in The Shining), battle-ravaged Vietnam (Full Metal Jacket), upscale New York City (Eyes Wide Shut), and, of course, Jupiter and Beyond the Infinite (in 2001: A Space Odyssey).
Released on VHS and DVD just prior to the July 1999 theatrical release of Kubrick's final film, Eyes Wide Shut, The Stanley Kubrick Collection includes all seven of Kubrick's films from Lolita to Full Metal Jacket--a quarter-century of brilliant, challenging cinema. Authorized by Kubrick prior to his sudden death in March of 1999, th! e boxed set represents a cooperative effort among the Warner, Columbia, and MGM labels (with Killer's Kiss, The Killing, and Paths of Glory released simultaneously by MGM). All films retain the superior digital mastering of their earlier releases on laserdisc and DVD, and although purists have complained that The Shining and Full Metal Jacket have been released in full-screen format only, this was in compliance with Kubrick's wishes and both films do not suffer unduly from full-screen formatting.
The diversity of Kubrick's work is truly astonishing, even though the director's technical precision and steely perspective on humanity may strike uninitiated viewers as cold and even misanthropic. From the rich, black comedy of Lolita to the bleak heart of darkness explored in Full Metal Jacket, Kubrick's films almost always received mixed (and sometimes scathingly negative) reviews upon their release, only to benefit! from glowing reassessment as they grew entrenched in the pub! lic cons ciousness. Here, in all their glory, are the collected films of a genuine master, ripe for study and appreciation for many years to come. --Jeff ShannonDr. Strangelove is one of the boldest anti-war statements of all time--a darkly satirical vision of the Cold War and of military prowess lethally fueled by human stupidity. The novel's characters are indelible: the commie-hating, redneck pilot, Major Kong; the wildly paranoiac, nuclear-assault launching General Ripper; and, of course, Dr. Strangelove, the sinister, wheelchair-bound, ex-Nazi scientist, for whom world destruction is the only bang big enough to satisfy. Peter George co-wrote the screenplay for Dr. Strangelove with Terry Southern and Stanley Kubrick, who directed the celebrated film.Arguably the greatest black comedy ever made, Stanley Kubrick's cold war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General ! Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids," mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called "Doomsday Device," and the world hangs in the balance while the U.S. president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad bomb-maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptable losses." With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens's character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff Shannon11" x 17" high quality reproduc! tion poster by Pop Culture Graphics. Printed in the USA. Per! fect for framing.
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