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The Ragamuffin Gospel: Good News for the Bedraggled, Beat-Up, and Burnt Out

• ISBN13: 9781590525029
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.

In this Gospel Coalition booklet, D. A. Carson and Timothy Keller recount the origins of the Gospel Coalition and the purpose for which it was formed: to propagate a robust understanding of the gospel’s content and to encourage gospel-centered ministry. 

Carson and Keller, founders of the coalition and editors of the booklet se! ries, form a theological foundation for the organization’s mission and detail a vision for ministry in a changing world. Ministry today must entail both Bible-centered preaching as well as outreach to the needy. Grounding their vision in the cross, Carson and Keller show how biblical theology flows toward Jesus and the gospel. They also demonstrate how Christian ministry flows from Jesus and the gospel. This summary of gospel-centered ministry is a great resource for pastors and others interested in the Gospel Coalition.

Gospel-Centered Ministry offers a thoughtful explanation for the Gospel Coalition’s confessional statement. The Gospel Coalition is an evangelical renewal movement dedicated to a scripture-based reformation of ministry practices. 

In this Gospel Coalition booklet, D. A. Carson and Timothy Keller recount the origins of the Gospel Coalition and the purpose for which it was formed: to propagate a robust un! derstanding of the gospel’s content and to encourage gospel-! centered ministry. 

Carson and Keller, founders of the coalition and editors of the booklet series, form a theological foundation for the organization’s mission and detail a vision for ministry in a changing world. Ministry today must entail both Bible-centered preaching as well as outreach to the needy. Grounding their vision in the cross, Carson and Keller show how biblical theology flows toward Jesus and the gospel. They also demonstrate how Christian ministry flows from Jesus and the gospel. This summary of gospel-centered ministry is a great resource for pastors and others interested in the Gospel Coalition.

Gospel-Centered Ministry offers a thoughtful explanation for the Gospel Coalition’s confessional statement. The Gospel Coalition is an evangelical renewal movement dedicated to a scripture-based reformation of ministry practices. 

Too few people attending church today, even those in evangelical churches, are ex! posed to the gospel explicitly. Sure, many will hear about Jesus, and about being good and avoiding bad, but the gospel message simply isn’t thereâ€"at least not in its specificity and its fullness.

Inspired by the needs of both the overchurched and the unchurched, and bolstered by the common neglect of the explicit gospel within Christianity, Matt Chandler has written this punchy treatise. He begins with the specifics of the gospelâ€"outlining what it is and what it is notâ€"and then switches gears to focus on the fullness of the gospel and its massive implications on both personal and cosmic levels.

Recognizing our tendency to fixate on either the micro or macro aspects of the gospel, Chandler also warns us of the dangers on either sideâ€"of becoming overly individualistic or syncretistic. Here is a call to true Christianity, to know the gospel explicitly, and to unite the church on the amazing grounds of the good news of Jesus!

"Preach th! e Gospel always.  Use words if necessary." - St. Francis of A! ssisi

It's 1998 and Richard Stearns' heart is breaking as he sits in a mud hut and listens to the story of an orphaned child in Rakai, Uganda.  His journey to this place took more than a long flight from the United States to Africa.  It took answering God's call on his life, a call that hurtled him out of his presidential corner office at Lenox-America's finest tableware company-to this humble corner of Uganda. 

This is a story of how a corporate CEO faced his own struggle to obey God whatever the cost, and his passionate call for Christians to change the world by actively living out their faith.  Using his own journey as an example, Stearns explores the hole that exists in our understanding of the Gospel. 

Two thousand years ago, twelve people changed the world.  Stearns believes it can happen again.

ECPA 2010 Christian Book of the Year Award Winner!

A Furious Love Is Hot on Your Trail!

Many believers feel stunted in their ! Christian growth. We beat ourselves up over our failures and, in the process, pull away from God because we subconsciously believe He tallies our defects and hangs His head in disappointment. In this newly repackaged editionâ€"now with full appendix, study questions, and the author’s own epilogue, “Ragamuffin Ten Years Later,” Brennan Manning reminds us that nothing could be further from the truth. The Father beckons us to Himself with a “furious love” that burns brightly and constantly. Only when we truly embrace God’s grace can we bask in the joy of a gospel that enfolds the most needy of His flockâ€"the “ragamuffins.”

Are you bedraggled, beat-up, burnt-out?

Most of us believe in God’s graceâ€"in theory. But somehow we can’t seem to apply it in our daily lives. We continue to see Him as a small-minded bookkeeper, tallying our failures and successes on a score sheet.

Yet God gives us His grace, willingly, no matter what we! ’ve done. We come to Him as ragamuffinsâ€"dirty, bedraggled,! and bea t-up. And when we sit at His feet, He smiles upon us, the chosen objects of His “furious love.”

Brennan Manning ’s now-classic meditation on grace and what it takes to access itâ€"simple honestyâ€"has changed thousands of lives. Now with a Ragamuffin’s thirty-day spiritual journey guide, it will change yours, too.

Includes New 30-Day Spiritual Journey Guide

****
“ Brennan Manning does a masterful job of blowing the dust off of shop-worn theology and allowing God’s grace to do what only God’s grace can doâ€"amaze.”
-Max Lucado, Bestselling author of The Gift for All People

“I found deep comfort in realizing that Jesus loves even me, a ragamuffin, just as I am.”
-Michael Card, Musician, recording artist, and author of A Violent Grace

“This is a zestful and accurate portrayal that tells us unmistakably that the gospel is good, dazzlingly good.”
-Eugene Peterson, Author of The Messag! e

Story Behind the Book

The world assigns value to people using measurable standards. Someone is a successful student if she receives As. Someone is a strong athlete if he runs five miles a day. The Lord, however, knows nothing of standards. The Ragamuffin Gospel was inspired by Brennan Manning after he discovered firsthand what it means to live by grace instead of performance. His words bring new life and sweet refreshment to Christians who are tired of never measuring up.Brennan Manning wrote The Ragamuffin Gospel "for the bedraggled, beat-up, and burnt-out," the marginalized folks to whom Jesus ministered: the children, the ill, the tax collectors, the women. In other words, the ragamuffins. Manning understands better than most that behind our facades of order and self-assurance are inadequacies that can find healing only in Jesus. While the powerful and religious elite challenged him, Jesus embraced and healed and fed the n! eeds of the ragamuffins. Jesus delivered love, healing, and, m! ost of all, grace.

Grace is defined as "the freely given and unmerited favor and love of God." But, as Manning points out, we have "twisted the gospel of grace into religious bondage and distorted the image of God into an eternal, small-minded bookkeeper." In reality, God offers us grace immeasurable. Brennan Manning gently encourages us to embrace that grace in the face of our greatest needs. And Manning certainly knows whereof he speaks, having taken a journey from priesthood and academic achievement through a collapse into alcoholism. Manning came face to face with his need, finally abandoning himself to grace. And he invites us now to join him in a life of grace.

Manning is without doubt one of the most eloquent writers on the subject of grace because he openly shares his own pain and struggle to help readers deal with failure and inadequacy. And he sweetly challenges them to do the same. --Patricia Klein

The Borrowers Afield

• ISBN13: 9780152047320
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The classic story of tiny Pod, Homily, and Arrietty Clock, who live under the kitchen floorboards and borrow from "human beans," has charmed readers for fifty years.

To celebrate the golden anniversary of Mary Norton's timelessly popular tale, Harcourt presents this handsome gift edition. Features include a new foreword by renowned children's book author, historian, and critic Leonard S. Marcus; Diana Stanley's heartwarming illustrations from the original British edition; a letter by Mary Norton describing the origins of the Borrowers; and a never-before-published sketch of Homily and Arrietty drawn by Mary Norton herself.

Anyone who has ever entertained the notion of "little peop! le" living furtively among us will adore this artfully spun classic. The Borrowers--a Carnegie Medal winner, a Lewis Carroll Shelf Award book, and an ALA Distinguished Book--has stolen the hearts of thousands of readers since its 1953 publication. Mary Norton (1903-1993) creates a make-believe world in which tiny people live hidden from humankind beneath the floorboards of a quiet country house in England.

Pod, Homily, and daughter Arrietty of the diminutive Clock family outfit their subterranean quarters with the tidbits and trinkets they've "borrowed" from "human beans," employing matchboxes for storage and postage stamps for paintings. Readers will delight in the resourceful way the Borrowers recycle household objects. For example, "Homily had made her a small pair of Turkish bloomers from two glove fingers for 'knocking about in the mornings.'"

The persistent pilfering goes undetected until a boy (with a ferret!) comes to live in the countr! y house. Curiosity drives Arrietty to commit the worst mistak! e a Bor rower can make: she allows herself to be seen. This engaging, sometimes hair-raisingly suspenseful adventure is recounted in the kind, eloquent voice of narrator Mrs. May, whose brother might--just might--have seen an actual Borrower in the country house many years ago. (Ages 9 to 12)

A BIG box for three tiny heroes . . .

Mary Norton’s beloved, best-selling books about the tiny, stouthearted Borrowers are now available together in one gorgeous package, perfect for gift giving. Put this boxed set into the hands of little peopleâ€"or of any reader who delights in classic adventure. Includes paperback editions of The Borrowers, The Borrowers Afield, The Borrowers Afloat, The Borrowers Aloft, and The Borrowers Avenged.

In this delightful, funny, and moving first novel, a librarian and a young boy obsessed with reading take to the road.

Lucy Hull, a young children's librarian in Hannibal, Missouri, finds herself b! oth a kidnapper and kidnapped when her favorite patron, ten- year-old Ian Drake, runs away from home. The precocious Ian is addicted to reading, but needs Lucy's help to smuggle books past his overbearing mother, who has enrolled Ian in weekly antigay classes with celebrity Pastor Bob. Lucy stumbles into a moral dilemma when she finds Ian camped out in the library after hours with a knapsack of provisions and an escape plan. Desperate to save him from Pastor Bob and the Drakes, Lucy allows herself to be hijacked by Ian. The odd pair embarks on a crazy road trip from Missouri to Vermont, with ferrets, an inconvenient boyfriend, and upsetting family history thrown in their path. But is it just Ian who is running away? Who is the man who seems to be on their tail? And should Lucy be trying to save a boy from his own parents?

Pod, Homily, and Arrietty Clock's huge adventures have been thrilling children young and old for fifty years--and their appeal is as strong a! s ever in these handsome new paperback packages. While the ori! ginal be loved interior illustrations by Beth and Joe Krush have been retained, Marla Frazee's striking cover illustrations capture these little people with a larger-than-life appeal.

How to lose friends and alienate people ~ MOVIE POSTER 11"x 17"

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HOW TO LOSE FRIENDS AND ALIENATE PEOP - DVD MovieHow to Lose Friends and Alienate People may just be the first true British film--and a splendid one at that--to be set on American soil. The fearless actor Simon Pegg plays Sidney Young, a Fleet Street hatchet writer tapped to come to the States to join the literati, and glitterati, at a big, fat, glossy magazine--every resemblance of which to Vanity Fair is strictly intentional. Sidney is possibly the most annoying man in the Western world, tilting at nonexistent windmills. His character calls to mind many of the hapless charmers played by Hugh Grant--but Pegg, without Grant's raffish good looks, comes across as simply hapless. Which is perfect casting, since Sidney is supposed to be enormously aggravating, especia! lly when he first lands in New York. In his first few days in the city, Sidney puts off the first magazine colleague he met (Kirsten Dunst, in a top-flight comic turn), wears a wildly inappropriate T-shirt on his first day of work, spritzes fast food onto the designer white suit of a relative of the publisher, and picks up a tranny hooker. And things go downhill from there. On his first magazine assignment, Sidney, checking captions for a photo page, calls a powerful publicist. "Is he the fat one?" Sidney asks the publicist about one of her clients. Silence. "Well, is he the one with the wonky eye, then?" Pegg is a scream as Sidney, playing quite a different role than his starring one in Shaun of the Dead. Dunst is delicate but steely, and her comedic timing, under the deft direction of Robert B. Weide (Curb Your Enthusiasm), is spot on. Great supporting work, too, by editor Jeff Bridges, whose enthrallment to the power elite, and silver mane, channel Graydon ! Carter; by Gillian Anderson, as a take-no-prisoners publicist;! and by Megan Fox, a starlet cast as a bosom-heaving Mother Teresa. Sidney, and the film, will win you over, with a lot of laughter along the way.--A.T. HurleyHow To Lose Friends & Alienate People is directed by Robert Weide (Curb Your Enthusiasm), produced by Stephen Woolley (The Crying Game) and Elizabeth Karlsen. Based on the bestselling memoir by Toby Young and screenplay by Peter Straughan. The soundtrack features Joey Ramone, Duffy, Motorhead, The Bees, Dusty Springfield, Nino Rota, Electrovamp, Guillemots, Leona Naess, The Kinks, Scissor Sisters, The Killers, Robyn and David Arnold. The cast is led by Simon Pegg (Shaun of the Dead), Kirsten Dunst (Spider-Man), Danny Huston (The Constant Gardener, ), Gillian Anderson (The X-Files), Megan Fox (Transformers), Max Minghella (Hippie Hippie Shake) and Jeff Bridges (The Big Lebowski).UK Import Blu-Ray/Region All pressing. Please note the special features are in the PAL format and not viewable on US PS3/standard Blu-Ray pla! yers. The main feature is viewable on all players however.How to Lose Friends and Alienate People may just be the first true British film--and a splendid one at that--to be set on American soil. The fearless actor Simon Pegg plays Sidney Young, a Fleet Street hatchet writer tapped to come to the States to join the literati, and glitterati, at a big, fat, glossy magazine--every resemblance of which to Vanity Fair is strictly intentional. Sidney is possibly the most annoying man in the Western world, tilting at nonexistent windmills. His character calls to mind many of the hapless charmers played by Hugh Grant--but Pegg, without Grant's raffish good looks, comes across as simply hapless. Which is perfect casting, since Sidney is supposed to be enormously aggravating, especially when he first lands in New York. In his first few days in the city, Sidney puts off the first magazine colleague he met (Kirsten Dunst, in a top-flight comic turn), wears a wildly inappropriate ! T-shirt on his first day of work, spritzes fast food onto the ! designer white suit of a relative of the publisher, and picks up a tranny hooker. And things go downhill from there. On his first magazine assignment, Sidney, checking captions for a photo page, calls a powerful publicist. "Is he the fat one?" Sidney asks the publicist about one of her clients. Silence. "Well, is he the one with the wonky eye, then?" Pegg is a scream as Sidney, playing quite a different role than his starring one in Shaun of the Dead. Dunst is delicate but steely, and her comedic timing, under the deft direction of Robert B. Weide (Curb Your Enthusiasm), is spot on. Great supporting work, too, by editor Jeff Bridges, whose enthrallment to the power elite, and silver mane, channel Graydon Carter; by Gillian Anderson, as a take-no-prisoners publicist; and by Megan Fox, a starlet cast as a bosom-heaving Mother Teresa. Sidney, and the film, will win you over, with a lot of laughter along the way.--A.T. HurleyThe movie tie-in edition of Toby Young's ! bestselling memoir of self-sabotage at Vanity Fair.

With a major motion picture of How to Lose Friends and Alienate People about to be released (starring Simon Pegg, Kirsten Dunst, and Jeff Bridges), there has never been a better time to savor this laugh-out-loud memoir from everyone's favorite "professional failurist." In his dishy assault on New York's A-list, How to Lose Friends and Alienate People, Toby Young lands a job at Vanity Fair--and proceeds to work his way down Manhattan's food chain.

In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. Other Brits had taken Manhattan--Alistair Cooke, Tina Brown, Anna Wintour--so why couldn't he?But things didn't quite go according to plan. Within the space of two years he was fired from Vanity Fair, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the l! ocal AA group wanted nothing to do with him.How to Lose Fri! ends and Alienate People is Toby Young's hilarious and best-selling account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. A seditious attack on the culture of celebrity from inside the belly of the beast, How to Lose Friends and Alienate People is also a "nastily funny read." --USA Today

In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. Other Brits had taken Manhattan--Alistair Cooke, Tina Brown, Anna Wintour--so why couldn't he?But things didn't quite go according to plan. Within the space of two years he was fired from Vanity Fair, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him.How to Lose Friends and Alienate Peop! le is Toby Young's hilarious and best-selling account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. A seditious attack on the culture of celebrity from inside the belly of the beast, How to Lose Friends and Alienate People is also a "nastily funny read." --USA Today

Brand New Product

Clash of the Titans [Blu-ray]

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• Format: Blu-ray
• AC-3; Color; Dolby; DTS Surround Sound; Widescreen; Subtitled

In Clash of the Titans, the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Fiennes), vengeful god of the underworld. With nothing to lose, Perseus volunteers to lead a dangerous mission to defeat Hades before he can seize power from Zeus (Liam Neeson) and unleash hell on earth. Battling unholy demons and fearsome beasts, Perseus and his warriors will only survive if Perseus accepts his power as a god, defies fate and creates his own destiny."Release the Kraken!" Ah, it could only be Clash of the Titans, the 2010 remake that retains the instruction to unleash the great beas! tie from the sea. The 1981 original boasted Ray Harryhausen's legendary stop-motion technique of animating various mythological creatures--it was his final feature project--and given the cornball approach of the movie in general, that was the main draw. The remake supplies new state-of-the-art special effects (it was released in theaters in 3-D) and a nicely muscular sense of momentum. Sam Worthington (the Avatar guy) plays Perseus, a demigod who doesn't know that Zeus (Liam Neeson) is his father. Perseus is selected to lead an expedition to find and slay the Medusa, lest Zeus's evil brother Hades (Ralph Fiennes, in fine slinking mode) rain down misery upon a seaport--and you just know that means the Kraken is coming. Ye gods, it's a mess, and we haven't even mentioned the witches and the harpies and the giant scorpions. But if we did, it would be clear that Clash of the Titans is a perfectly dandy popcorn epic, unpretentious and punchy. Director Louis Leterri! er (Transporter 2) gets a fine rhythm going during Pers! eus's tr ek, and you can even forgive the hokey shafts-of-light-through-clouds look of Olympus. Leterrier also had the good sense to import the marvelous Danish star Mads Mikkelsen to provide mentoring duties to Perseus; Gemma Arterton and Alexa Davalos fulfill the eye-candy roles. It's up to individual viewers to choose which they prefer--Harryhausen's magically hand-wrought creations (his Medusa sequence is an absolute killer) or the 21st century's slick computer-generated variations. But nostalgia aside, it would be hard to deny that this is one case where the remake tops the original. --Robert HortonIn Clash of the Titans, the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Fiennes), vengeful god of the underworld. With nothing to lose, Perseus volunteers to lead a da! ngerous mission to defeat Hades before he can seize power from Zeus (Liam Neeson) and unleash hell on earth. Battling unholy demons and fearsome beasts, Perseus and his warriors will only survive if Perseus accepts his power as a god, defies fate and creates his own destiny."Release the Kraken!" Ah, it could only be Clash of the Titans, the 2010 remake that retains the instruction to unleash the great beastie from the sea. The 1981 original boasted Ray Harryhausen's legendary stop-motion technique of animating various mythological creatures--it was his final feature project--and given the cornball approach of the movie in general, that was the main draw. The remake supplies new state-of-the-art special effects (it was released in theaters in 3-D) and a nicely muscular sense of momentum. Sam Worthington (the Avatar guy) plays Perseus, a demigod who doesn't know that Zeus (Liam Neeson) is his father. Perseus is selected to lead an expedition to find and slay the! Medusa, lest Zeus's evil brother Hades (Ralph Fiennes, in fin! e slinki ng mode) rain down misery upon a seaport--and you just know that means the Kraken is coming. Ye gods, it's a mess, and we haven't even mentioned the witches and the harpies and the giant scorpions. But if we did, it would be clear that Clash of the Titans is a perfectly dandy popcorn epic, unpretentious and punchy. Director Louis Leterrier (Transporter 2) gets a fine rhythm going during Perseus's trek, and you can even forgive the hokey shafts-of-light-through-clouds look of Olympus. Leterrier also had the good sense to import the marvelous Danish star Mads Mikkelsen to provide mentoring duties to Perseus; Gemma Arterton and Alexa Davalos fulfill the eye-candy roles. It's up to individual viewers to choose which they prefer--Harryhausen's magically hand-wrought creations (his Medusa sequence is an absolute killer) or the 21st century's slick computer-generated variations. But nostalgia aside, it would be hard to deny that this is one case where the remake tops ! the original. --Robert Horton

Professionally Framed Friday the 13th Part 5: A New Beginning (Jason Still Haunts You) Movie Poster Print - 24x36 with RichAndFramous Black Wood Frame

• Your professionally framed poster ships ready-to-hang!
• Premium quality RichAndFramous wood frame with 1.25 inch wide moulding.
• Lightweight, glare-reducing styrene front secures and protects artwork.
• Custom Made for years of quality enjoyment.
• Frame size approximately 25.00 by 37.00 inches for print size 24.00 by 36.00.

Jason is back, hockey mask and all. And he's up to his old maniacal tricks in Friday The 13th, Part V: A New Beginning. This time he seems to have set his sights on the young patients at a secluded halfway house. And more than a few of his teen targets end up in half, in quarters...you name it, Jason does it.They thought Jason was dead. They thought he was gone for good. But it turns out, they're all wrong . . . dead wrong! Homicidal maniac Jason returns from the grave to cause more bloody mayhem in Friday The 13th: A New Beginning - Deluxe! Edition. Young Tommy Jarvis may have escaped from Crystal Lake, but he's still haunted by the gruesome events that happened there. When gory murders start happening at the secluded halfway house for troubled teens where he now lives, it seems like his nightmarish nemesis, Jason Voorhees, is back for more sadistic slaughters. But as things spiral out of control and the body count rises, Tommy begins to wonder if he's become the killer he fears most. Witness the true terror as Jason and Tommy battle once more in this spine-tingling descent into death and madness!

SPECIAL FEATURES:
Commentary by director/co-screenwriter Danny Steinmann with cast and crew
Lost Tales from Camp Blood - Part 5
The Crystal Lake Massacres Revisited Part II
New Beginnings: The Making of Friday the 13th: Part V A New Beginning
Original Theatrical Trailer

The Da Vinci Code

• ISBN13: 9780307474278
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Nº 1 en USA

¿ Qué misterio se oculta tras la sonrisa de Mona Lisa? Durante siglos, la Iglesia ha conseguido mantener oculta la verdad… hasta ahora.

Antes de morir asesinado, Jacques Saunière, el último Gran Maestre de una sociedad secreta que se remonta a la fundación de los Templarios, transmite a su nieta Sofía una misteriosa clave. Saunière y sus predecesores, entre los que se encontraban hombres como Isaac Newton o Leonardo Da Vinci, han conservado durante siglos un conocimiento que puede cambiar completamente la historia de la humanidad. Ahora Sofía, con la ayuda del experto en simbología Robert Langdon, comienza la búsqueda de ese secreto, en una trepidan! te carrera que les lleva de una clave a otra, descifrando mensajes ocultos en los más famosos cuadros del genial pintor y en las paredes de antiguas catedrales. Un rompecabezas que deberán resolver pronto, ya que no están solos en el juego: una poderosa e influyente organización católica está dispuesta a emplear todos los medios para evitar que el secreto salga a la luz.

Un apasionante juego de claves escondidas, sorprendentes revelaciones, acertijos ingeniosos, verdades, mentiras, realidades históricas, mitos, símbolos, ritos, misterios y suposiciones en una trama llena de giros inesperados narrada con un ritmo imparable que conduce al lector hasta el secreto más celosamente guardado del inicio de nuestra era.

" Intriga y amenaza se mezclan en una de las mejores novelas de suspense que he leído jamás. Un sorprendente relato donde los enigmas se suceden a los secretos y éstos a las adivinanzas."

Clive Cussler.

" Un inteligente thriller lleno de enigmas y códigos que,! sin dud a, puede recomendarse con rotundo entusiasmo."

The New York Times
PREMIUM MASS MARKET EDITION

#1 Worldwide Bestsellerâ€"More Than 80 Million Copies Sold

As millions of readers around the globe have already discovered, The Da Vinci Code is a reading experience unlike any other. Simultaneously lightning-paced, intelligent, and intricately layered with remarkable research and detail, Dan Brown's novel is a thrilling masterpieceâ€"from its opening pages to its stunning conclusion.With The Da Vinci Code, Dan Brown masterfully concocts an intelligent and lucid thriller that marries the gusto of an international murder mystery with a collection of fascinating esoteria culled from 2,000 years of Western history.

A murder in the silent after-hour halls of the Louvre museum reveals a sinister plot to uncover a secret that has been protected by a clandestine society since the days of Christ. The victim is a high-r! anking agent of this ancient society who, in the moments before his death, manages to leave gruesome clues at the scene that only his granddaughter, noted cryptographer Sophie Neveu, and Robert Langdon, a famed symbologist, can untangle. The duo become both suspects and detectives searching for not only Neveu's grandfather's murderer but also the stunning secret of the ages he was charged to protect. Mere steps ahead of the authorities and the deadly competition, the mystery leads Neveu and Langdon on a breathless flight through France, England, and history itself. Brown (Angels and Demons) has created a page-turning thriller that also provides an amazing interpretation of Western history. Brown's hero and heroine embark on a lofty and intriguing exploration of some of Western culture's greatest mysteries--from the nature of the Mona Lisa's smile to the secret of the Holy Grail. Though some will quibble with the veracity of Brown's conjectures, ther! ein lies the fun. The Da Vinci Code is an enthralling ! read tha t provides rich food for thought. --Jeremy Pugh