Monday, November 7, 2011

Lamb: The Gospel According to Biff, Christ's Childhood Pal

  • ISBN13: 9780380813810
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed
John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.Stearns, the CEO of World Vision, says Christians have a huge hole in their lives, an emptiness that comes from ignoring the plight of the poor. He details his own quest to fill this hole by leaving Lenox Inc., where he was CEO, to run a not-for-profit that helps feed, clothe, and educate child! ren worldwide. Unlike many evangelical Christians, Stearns believes poverty is explained by something more than choices, and lifting cultures from the systemic causes of poverty requires a multi-pronged approach. This accessible book will make it into the hands of evangelical Christians who may not pick up one of the many ABA books on issues of hunger, access to clean water, malaria and AIDS. Readers of Rick Warren, Jim Wallis and N.T. Wright will find Stearns synthesizing thoughts from them as well as from economists and missionaries.This is a passionate and motivating magnum opus from the leader of one of the most recognized aid organizations in the world. The book is a surprisingly no-holds-barred prophetic voice in the wilderness crying out to rich Americans, "Repent and help your world neighbors."(Mar. 10) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.The first generation of Christians were not popular. They were ri! diculed, persecuted, yet according to Acts 17:6-7, they "turne! d the wo rld upside down." As a result, their message was communicated louder and clearer than any message before or since. Even with today's social medias, big-name celebrities, and shiny evangelism techniques that add glitz and glamour to the gospel, today's Christians fail to communicate as effectively as the first followers of Christ. Simply put, the early church turned the world upside down, but today's church has been turned upside down by the world.
Many believers feel stunted in their Christian growth. We beat ourselves up over our failures and, in the process, pull away from God because we subconsciously believe He tallies our defects and hangs His head in disappointment. In this newly repackaged edition—now with full appendix, study questions, and the author’s own epilogue, Â"Ragamuffin Ten Years Later,” Brennan Manning reminds us that nothing could be further from the truth. The Father beckons us to Himself with a Â"furious love” that burns brightly and constant! ly. Only when we truly embrace God’s grace can we bask in the joy of a gospel that enfolds the most needy of His flock—the Â"ragamuffins.”
Brennan Manning wrote The Ragamuffin Gospel "for the bedraggled, beat-up, and burnt-out," the marginalized folks to whom Jesus ministered: the children, the ill, the tax collectors, the women. In other words, the ragamuffins. Manning understands better than most that behind our facades of order and self-assurance are inadequacies that can find healing only in Jesus. While the powerful and religious elite challenged him, Jesus embraced and healed and fed the needs of the ragamuffins. Jesus delivered love, healing, and, most of all, grace.

Grace is defined as "the freely given and unmerited favor and love of God." But, as Manning points out, we have "twisted the gospel of grace into religious bondage and distorted the image of God into an eternal, small-minded bookkeeper." In reality, God offers us grace ! immeasurable. Brennan Manning gently encourages us to embrace ! that gr ace in the face of our greatest needs. And Manning certainly knows whereof he speaks, having taken a journey from priesthood and academic achievement through a collapse into alcoholism. Manning came face to face with his need, finally abandoning himself to grace. And he invites us now to join him in a life of grace.

Manning is without doubt one of the most eloquent writers on the subject of grace because he openly shares his own pain and struggle to help readers deal with failure and inadequacy. And he sweetly challenges them to do the same. --Patricia KleinThe Gospel According to Isaiah 53 presents the redemptive work of the Messiah to the Jewish community, exploring issues of atonement and redemption in light of Isaiah chapter 53. It is clear that Jesus fulfills the specifications of the suffering servant of Isaiah 53.Contemporary evangelicals have built a 'salvation culture' but not a 'gospel culture.' Evangelicals have reduced the gospel to the mes! sage of personal salvation. This book makes a plea for us to recover the old gospel as that which is still new and still fresh. The book stands on four arguments: that the gospel is defined by the apostles in 1 Corinthians 15 as the completion of the Story of Israel in the saving Story of Jesus; that the gospel is found in the Four Gospels; that the gospel was preached by Jesus; and that the sermons in the Book of Acts are the best example of gospeling in the New Testament. The King Jesus Gospel ends with practical suggestions about evangelism and about building a gospel culture.

Could the gospel be lost in evangelical churches? In this book, J.D. Greear shows how moralism and legalism have often eclipsed the gospel, even in conservative churches. Gospel cuts through the superficiality of religion and reacquaints you with the revolutionary truth of God's gracious acceptance of us in Christ. The gospel is the power of God, and the only true source of joy, freedom, radica! l generosity, and audacious faith. The gospel produces in us w! hat reli gion never could: a heart that desires God.

The book’s core is a “gospel prayer” by which you can saturate yourself in the gospel daily. Dwelling on the gospel will release in you new depths of passion for God and take you to new heights of obedience to Him. Gospel gives you an applicable, exciting vision of how God will use you to bring His healing to the world.

The birth of Jesus has been well chronicled, as have his glorious teachings, acts, and divine sacrifice after his thirtieth birthday. But no one knows about the early life of the Son of God, the missing years -- except Biff, the Messiah's best bud, who has been resurrected to tell the story in the divinely hilarious yet heartfelt work "reminiscent of Vonnegut and Douglas Adams" (Philadelphia Inquirer).

Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung fu, corpse reanimations, demons, and hot babes. Even the considera! ble wiles and devotion of the Savior's pal may not be enough to divert Joshua from his tragic destiny. But there's no one who loves Josh more -- except maybe "Maggie," Mary of Magdala -- and Biff isn't about to let his extraordinary pal suffer and ascend without a fight.

While the Bible may be the word of God, transcribed by divinely inspired men, it does not provide a full (or even partial) account of the life of Jesus Christ. Lucky for us that Christopher Moore presents a funny, lighthearted satire of the life of Christ--from his childhood days up to his crucifixion--in Lamb: The Gospel According to Biff, Christ's Childhood Pal. This clever novel is surely blasphemy to some, but to others it's a coming-of-age story of the highest order.

Joshua (a.k.a. Jesus) knows he is unique and quite alone in his calling, but what exactly does his Father want of him? Taking liberties with ancient history, Moore works up an adventure tale as Biff and Joshua seek out the ! three wise men so that Joshua can better understand what he is! suppose d to do as Messiah. Biff, a capable sinner, tags along and gives Joshua ample opportunities to know the failings and weaknesses of being truly human. With a wit similar to Douglas Adams, Moore pulls no punches: a young Biff has the hots for Joshua's mom, Mary, which doesn't amuse Josh much: "Don't let anyone ever tell you that the Prince of Peace never struck anyone." And the origin of the Easter Bunny is explained as a drunken Jesus gushes his affection for bunnies, declaring, "Henceforth and from now on, I decree that whenever something bad happens to me, there shall be bunnies around."

One small problem with the narrative is that Biff and Joshua often do not have distinct voices. A larger difficulty is that as the tone becomes more somber with Joshua's life drawing to its inevitable close, the one-liners, though not as numerous, seem forced. True to form, Lamb keeps the story of Joshua light, even after its darkest moments. --Michael Ferch

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Garfield: A Tail of Two Kitties PREMIUM GRADE Rolled CANVAS Art Print Unknown 11x17

  • Title: Garfield: A Tail of Two Kitties
  • Artist: Unknown
  • Canvas
  • Image Size: 8.95in. x 16.10in.
  • Paper Size: 11.00in. x 17.00in.
America's favorite fat cat is back, and this time, he's giving England the royal treatment! It's a British invasion of a different kind when Garfield, along with pals Jon and Odie, travels to London and meets his mirror-image in Prince, an aristocratic kitty who has inherited a fabulous castle. The two trade places, and soon Garfield is living large as only he can! There's just one problem: the dastardly Lord Dargis wants him out of the picture. A Tail of Two Kitties is twice the laughs and double the fun for the whole family... It's good to be the king!An impressive cast gives an unexpected boost to Garfield: A Tail of Two Kitties, the sequel to the first film starring the comic strip cat turned CGI feline. Once again voiced by Bi! ll Murray (whose ever-eclectic career ranges from Meatballs to Lost in Translation), Garfield stows away in the luggage of his owner, Jon (Breckin Meyer, Clueless), as Jon travels to London to propose to his veterinarian girlfriend, Liz (Jennifer Love Hewitt, Ghost Whisperer). It just so happens that in England, a cat named Prince (voiced by Tim Curry) has just inherited a castle--much to the dismay of Lord Dargis (Billy Connolly, Mrs. Brown), who plots to get rid of Prince and all the other animals who inhabit the castle so that he can build condominiums on the property. Naturally, paths cross, identities get switched, and a barnyard of very British beasts find themselves dependent on the eternally lazy Garfield to keep their home safe from Dargis' predations. A Tail of Two Kitties is cheerful and short; nothing about it is very inspired, but it's certainly better than the first film and the technical effects are impeccable. Additi! onal voice work by Bob Hoskins, Jane Horrocks, Rhys Ifans, Vin! nie Jone s, and others make everything seem just a little bit classier, as does the presence of Roger Rees (from the RSC Nicholas Nickleby) and Lucy Davis (from the original version of The Office). --Bret Fetzer

Features include:

•MPAA Rating: PG
•Format: DVD
Garfield the Movie
Talk about livin’ large! Garfield (hilariously voiced by Bill Murray) lies around the house, eats lasagna, watches TV and makes wisecracks--until his owner Jon (Breckin Meyer) falls for a beautiful veterinarian (Jennifer Love Hewitt). When she asks Jon to adopt a sweet pup named Odie, Garfield appears to be in the doghouse. But not for long! When Odie is abducted by a dog trainer, Garfield must get off the couch to rescue the precious pooch.

Garfield: A Tail of Two Kitties
America's favorite fat cat is back, and this time, he's giving England the royal treatment! It's a British invasion of a different kind! when Garfield, along with pals Jon and Odie, travels to London and meets his mirror-image in Prince, an aristocratic kitty who has inherited a fabulous castle. The two trade places, and soon Garfield is living large as only he can! There's just one problem: the dastardly Lord Dargis wants him out of the picture. A Tail of Two Kitties is twice the laughs and double the fun for the whole family... It's good to be the king! A case of mistaken identity leads to some wacky feline follies when Garfield goes to England. Before you can say "lasagna," Garfield's managed to lose Odie and Jon, get mixed up with a prince, and find himself living it up at the kitty cat king of Carlyle Castle.

The royal life would be perfect, if it weren't for the deranged Lord Dargis--who will stop at nothing to inherit the castle. But Garfield and his new farmyard friends have a few plans to stop him.This software is BRAND NEW. Packaging may differ slightly from the stock photo above. Please cl! ick on our logo above to see over 15,000 titles in stock.Garfi! eld: A T ail of Two Kitties DSTitle: Garfield: A Tail of Two Kitties. Artist: Unknown. Image Size: 8.95in. x 16.10in. Paper Size: 11.00in. x 17.00in. PREMIUM GRADE Rolled CANVAS Art Print

This is an unstretched canvas print which will be rolled and securely shipped in a sturdy tube. All canvas prints should be cared for to avoid exposure to dust, grime or finger grease in handling.

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Focus: A simplicity manifesto in the Age of Distraction

  • ISBN13: 9781434103079
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Bestselling author Mike Schmoker describes a plan for radically improving student learning that is built on three core elements: a focused and coherent curriculum (what we teach); clear, prioritized lessons (how we teach); and purposeful reading and writing, or authentic literacy.

With this "less is more" philosophy, educators can help students learn content at a deeper level, develop greater critical thinking skills, and discover more clearly how content-area concepts affect their lives and the world around them.

Both a call to action and a blueprint for creating more effective classrooms, Focus: Elevating the Essentials for Radically Improved Student Learning will cha! llenge your assumptions about schooling and show how educators who have embraced this approach quickly achieved spectacular results.

Meet Emily and Paul: The parents of two young children, Emily is the newly promoted VP of marketing at a large corporation while Paul works from home or from clients' offices as an independent IT consultant. Their lives, like all of ours, are filled with a bewildering blizzard of emails, phone calls, yet more emails, meetings, projects, proposals, and plans. Just staying ahead of the storm has become a seemingly insurmountable task.

In this book, we travel inside Emily and Paul's brains as they attempt to sort the vast quantities of information they're presented with, figure out how to prioritize it, organize it and act on it. Fortunately for Emily and Paul, they're in good hands: David Rock knows how the brain works-and more specifically, how it works in a work setting. Rock shows how it's possible for Emily and Paul, and thus the r! eader, not only to survive in today's overwhelming work enviro! nment bu t succeed in it-and still feel energized and accomplished at the end of the day.

YOUR BRAIN AT WORK explores issues such as:

- why our brains feel so taxed, and how to maximize our mental resources

- why it's so hard to focus, and how to better manage distractions

- how to maximize your chance of finding insights that can solve seemingly insurmountable problems

- how to keep your cool in any situation, so that you can make the best decisions possible

- how to collaborate more effectively with others

- why providing feedback is so difficult, and how to make it easier

- how to be more effective at changing other people's behavior

The author writes, "At the heart of this simple book lies the key to many of the struggles we face these days, from being productive and achieving our goals, to getting healthy and fit in the face of fast food and inactivity, to finding simplicity and peace amidst chaos and confusion.! That key is itself simple: focus. Our ability to focus will allow us to create in ways that perhaps we haven't in years. It'll allow us to slow down and find peace of mind. It'll allow us to simplify and focus on less-on the essential things, the things that matter most.

Sunday, November 6, 2011

Cats Don't Dance

  • The rags-to-riches story of Danny, a talented cat whose lifelong goal of movie stardom is sidetracked when he discovers only humans get the good roles in Hollywood. On the big screen, animals can bark, meow or moo, but cats don't dance. Danny vows to break through the "species barrier" and prove that dreams really can come true.Running Time: 120 min. Format: DVD MOVIE Genre: CHILDREN R
The rags-to-riches story of Danny, a talented cat whose lifelong goal of movie stardom is sidetracked when he discovers only humans get the good roles in Hollywood. On the big screen, animals can bark, meow or moo, but cats don't dance. Danny vows to break through the "species barrier" and prove that dreams really can come true. Actually, cats do dance, and there are a lot of little cat feet tapping all over this odd animated film. Complaints about originality can't be leveled here; the film works within the c! onfines of the musical genre, but there's never really been anything like this. Danny the cat is from Kokomo, and he's got a short list of things he has to do to become a big star in Hollywood. Unfortunately, he's unaware that animals, even talented ones, aren't even considered for showy parts in films. They're considered window dressing for humans, especially big stars such as Darla Dimple, the unlikely antagonist here. The music is by Randy Newman, and it's not really his best, but toe tapping may occur. The animation is reminiscent of an upgraded Animaniacs, and there's a frenetic, jittery sense to the scenes (mostly dealing with slapstick humor). Older fans of animation or bygone Hollywood will have much more to appreciate here than small children, but that's refreshing in itself. --Keith Simanton

Dolls

  • Legendary director & actor Takeshi Kitano (Brother, The Blind Swordsman: Zatoichi) departs from his usual stylish gangster thrillers to present a masterpiece that is both artistic and moving. Bound by a long red cord, a young couple wanders in search of something they have tragically forgotten. An aging yakuza boss mysteriously returns to the park where he once met his long-past girlfriend. A disf
A mysterious drifter (Josh Hartnett) and a young Japanese Warrior Yoshi (Gackt) both arrive in a town that has been terrorized by outrageous and virulent criminals. Each is obsessed with his seperate mission, and guided by the wisdom of The Bartender (Woody Harrelson) at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola (Ron Perlman), the awesomely evil woodcutter and his lady Alexandra (Demi Moore), a femme fatale with a secre! t past.A mysterious drifter (Josh Hartnett) and a young Japanese warrior Yoshi (Gackt) both arrive in a town that has been terrorized by outrageous and virulent criminals. Each is obsessed with his separate mission, and guided by the wisdom of The Bartender (Woody Harrelson) at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola (Ron Perlman), the awesomely evil woodcutter and his lady Alexandra (Demi Moore), a femme fatale with a secret past.A naïve young man assumes a dead man's identity in order to join a underworld game of Russian Roulette. The stakes are high, but the payout is more than he can resist. His only collateral is his life and however long his luck can hold. Are his odds any better than any other player in this most deadly game?You think your childhood was rough? Check out the opening 20 minutes of Conan the Barbarian, a bone-cracking coming-of-age prologue that fully explains the "! Barbarian" part of the name. The film gets off to a ripping st! art, inc luding li'l Conan's lethal dispatching of a crowd of restless natives (it's not every lad that returns from camp with the decapitated heads of his enemies dangling from his shoulders) and a great deal of hoo-hah about the forging of swords. As the character grows into manhood, played by Jason Momoa (Game of Thrones), the cascade of brutality continues: boiling oil, nose trauma, death by metal fingernails--you name it, the movie has it. The "origin story" plot is a workable way into the world of pulp writer Robert E. Howard's hero: Conan seeks vengeance for the death of his father (Ron Perlman) and pursues power-hungry Khalar Zym (Stephen Lang, enjoying the fruits of Avatar), who in turn seeks the final piece of a many-tailed magic mask, which will give him untold power. Rose McGowan is all spooky as Khalar's daughter (she's got the fingernails) and Rachel Nichols is an innocent slated to be sacrificed by the evildoers. Director Marcus Nispel rolls out the tech ! hardware for this relentless action picture, pumping up every sound with a digital whammy that might make your head feel it has been split in two by Conan's mighty sword (that is, if you didn't already feel that from the chaotic cutting--since the movie was originally released in uninspired 3-D, this visual unpleasantness was enhanced in theaters). The movie's not a complete bust, but it is a fairly punishing experience. As for Momoa, he's got the pectorals, and generally comes across as a likable sort. Of course, Conan isn't supposed to be a likable sort, so his casting will likely trigger an unexpected response in viewers familiar with the 1982 version of the character. You will miss Arnold Schwarzenegger. --Robert HortonInspired by the everlasting emotions expressed in Japanese Bunraku doll theatre, Dolls weaves three stories delicately intertwined by the beauty of sadness. Bound by a long red cord, a young couple wanders in search of something they have tragical! ly forgotten. An aging yakuza mysteriously returns to the par! k where he used to meet his long-past girlfriend. A disfigured pop star confronts the phenomenal devotion of her biggest fanDolls is a film of extraordinary beauty and tenderness from a filmmaker chiefly associated with grave mayhem and deadpan humor. That is to say, this is not one more Takeshi Kitano movie focused on stoical cops or gangsters. The title refers most directly, but not exclusively, to the theatrical tradition of Bunraku, enacted by half-life-size dolls and their visible but shrouded onstage manipulators. Such a performance--a drama of doomed lovers--occupies the first five minutes of the film, striking a keynote that resonates as flesh-and-blood characters take up the action.

The film-proper is dominated by the all-but-wordless odyssey of a susceptible yuppie and the jilted fiancée driven mad by his desertion to marry the boss's daughter. Bound by a blood-red cord, they move hypnotically through a landscape variously urban and natural, stylized only by t! he breathtaking purity of light, angle, color, and formal movement imposed by Kitano's compositional eye and rigorous, fragmentary editing. Along the way we also pick up the story of an elderly gangster, haunted by memories of the lover he deserted three decades earlier and generations of "brothers" for whose deaths he was, in the accepted order of things, responsible. Another strand is added to the imagistic weave via a doll-like pop singer and a groupie blinded by devotion to her.

This is a film in which character, morality, metaphysics, and destiny are all expressed through visual rhyme and startling adjustments of perspective. It sounds abstract--and it is--but it's also heartbreaking and thrilling to behold. Kitano isn't in it, but as an artist he's all over it. His finest film, and for all its exoticism, his most accessible. --Richard T. Jameson

Saturday, November 5, 2011

Conversation(s) With Other Women

Helen of Troy Super Mega 1-1/2" Professional Brush Iron

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“Ashley Judd’s performance is nothing short of riveting.” â€" The Huffington Post. On the outside, Helen (Ashley Judd) has the perfect life â€" a loving family, a beautiful house and a successful career â€" but when her suppressed mental illness resurfaces, the world crumbles around her. Crippled by depression, Helen befriends Mathilda (Lauren Lee Smith), a kindred spirit struggling with bipolar disorder. Together the two find the solace they had been seeking.“Ashley Judd’s performance is nothing short of riveting.” â€" The Huffington Post. On the outside, Helen (Ashley Judd) has the perfect life â€" a loving family, a beautiful house and a successful career â€" but when her suppressed mental illness resurfaces, the world crumbles ar! ound her. Crippled by depression, Helen befriends Mathilda (Lauren Lee Smith), a kindred spirit struggling with bipolar disorder. Together the two find the solace they had been seeking.
Twelve-year-old Molly and her ten-year-old brother, Michael, have never liked their younger stepsister, Heather. Ever since their parents got married, she's made Molly and Michael's life miserable. Now their parents have moved them all to the country to live in a house that used to be a church, with a cemetery in the backyard. If that's not bad enough, Heather starts talking to a ghost named Helen and warning Molly and Michael that Helen is coming for them. Molly feels certain Heather is in some kind of danger, but every time she tries to help, Heather twists things around to get her into trouble. It seems as if things can't get any worse.
But they do--when Helen comes.
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