Wednesday, July 27, 2011

Malice in Wonderland

  • A modern twist on aic tale.Alice is an American law student in London. Knocked down by a cab, she wakes with amnesia in a world  that s a million miles from home Wonderland. We follow her adventures as she is dragged through an underworld  filled with twisted individuals and the lowest low-lifes by the enigmatic cab-driver WHITEY (The White Rabbit). She needs to find out who she is, wher
ALICE is an American Law student in London. Knocked down by a black cab, she wakes with amnesia in a world that's a million miles from home Wonderland. We follow her adventures as she is dragged through an underworld filled with twisted individuals and the lowest low-lifes by the enigmatic cab-driver WHITEY (The White Rabbit). She needs to find out who she is, where she's from, and use what wits she has left to get back home in one piece.Lewis Carroll's 19th-century heroine undergoes a 21st-century metamorp! hosis in the feverish, fast-paced Malice in Wonderland. Lost's leggy Maggie Grace plays Alice Dodgson, an American heiress living in London. As the action begins, she's fleeing from a couple of unidentified assailants when she runs into Danny Dyer's cockney cabby, Whitey, who gives her a ride (a rabbit's foot dangles from his rear-view mirror). Suffering from amnesia, she decides to accompany him to Mob boss Harry Hunt's big party, but first Whitey has to get Hunt a present (Inspector Lynley's Nathaniel Parker plays the urbane ex-con). During their travels, Alice pops a couple of Whitey's consciousness-altering pills and tangles with a parade of peculiar characters, from a diminutive purse snatcher with an identical twin to a sharp-dressed disc jockey with magical powers. When she loses track of Whitey, an agoraphobic duchess (Rosemary and Thyme's Pam Ferris) lends her a hand. Meanwhile, Alice's pampered past comes rushing back in fits and spurts! . Soon she's wondering if her chauffeur-turned-protector reall! y likes her or whether he's just after the reward money. Like Terry Gilliam with attention deficit disorder, Simon Fellows directs with speed and flair--tilted angles, color filters, and surrealistic flourishes--but Malice sometimes looks more like a music video than a proper movie. Written by Jayson Rothwell, his version of Alice's Adventures in Wonderland adds naughty words, gunplay, and prostitutes ("tarts"), which makes it less suitable for minors than the Tim Burton version, but the unlikely romance is a sweet touch. --Kathleen C. Fennessy

Tuesday, July 26, 2011

Jersey Girl

  • BADGLEY MISCHKA by Badgley Mischka
  • Eau De Parfum Spray
  • Set
  • For Women
  • Body Lotion
Director Bernardo Bertolucci explores one girl's personal journey into womanhood in this romantic adventure starring Liv Tyler and Jeremy Irons.Critics were decidedly mixed about this 1996 drama from Italian director Bernardo Bertolucci, and the movie enjoyed only a brief theatrical release. Now it's best known for its early appearance by Liv Tyler as a 19-year-old beauty named Lucy who summers at a villa in Tuscany with a variety of artistic types who immediately respond to her inspirational innocence. An amateur poet who has decided it's time to lose her virginity, Lucy has come to Italy after the death of her mother, who visited this artist's refuge 20 years earlier. Several young Italian men find Lucy quite heavenly (she is, after all, Liv Tyler), and she's not immune to their ! attentions, but she'd rather spend time with a playwright (Jeremy Irons) who is dying of AIDS and therefore has something other than sex on his mind. The movie's plot is about as substantial as Tyler's character (she's sexy, all right, but hardly an intellectual muse), but Stealing Beauty creates a serene mood that's so soothing you'll want to book a flight to Tuscany immediately, just to soak up the setting's idyllic atmosphere. If you're in the right frame of mind, this movie is like a balm for the soul, and Tyler and Bertolucci can share the credit for making this two-hour vacation so charmingly relaxing. --Jeff ShannonForbidden love and impossible dreams intertwine when the handsome working-class Holt brothers are drawn to the beautiful and wealthy Abbott sisters. Sparks fly, passion flare, and family loyalties are suddenly torn and tested against a small town backdrop of social boundaries and dark secrets. Starring Liv Tyler and an all-star cast includin! g Joaquin Phoenix, Billy Crudup and Jennifer Connelly, "Invent! ing the Abbotts" re-invents the trials and triumphs of coming of age in a time of innocence that was anything but.A showcase for bright young stars, Inventing the Abbotts aspires to be the kind of 1950s melodrama--like Splendor in the Grass--that was perfected by directors like Elia Kazan and Douglas Sirk. Calling on the strength of his earlier Circle of Friends, Irish director Pat O'Connor brings many of that film's admirable qualities to this similar ensemble piece (set in late-'50s Illinois), but it's held together by looser and weaker threads. And yet this tale of class division and forbidden love is sensitively written and beautifully filmed, highlighted by two young lovers at the center of an interfamilial conflict.

"Alice is the good daughter, Eleanor's the bad one, and I'm the one that just sorta gets off the hook." That's how rich girl Pam Abbott (Liv Tyler) describes herself and her older siblings (Joanna Going and Jennifer Connelly, respectively),! whose father made his fortune in manufacturing. Working-class neighbor Jacey Holt (Billy Crudup) has "invented" Mr. Abbott as a villain whose wealth came at the Holts' expense and destroyed the reputation of Jacey's widowed mom (Kathy Baker in a fine but underwritten role). Jacey retaliates by callously bedding each Abbott sister in sequence, but his destructive behavior is countered by younger brother Doug (Joaquin Phoenix), whose love for Pam is sweetly genuine. Memorable scenes abound, and the film's period design is impeccable, but sluggish pacing and filigrees of plot make Inventing the Abbotts a faint echo of its '50s predecessors. The fine cast makes it worthwhile, however, and Michael Keaton's (uncredited) narration adds another layer of retrospective charm. --Jeff Shannon Inspired by true events, this heart pounding, nail-biting frightener mercilessly explores our most universal fears, where simply opening the door to a stranger leads to a grueling n! ight of terror one could never imagine. Liv Tyler and Scott Sp! eedman s tar in this relentless suspense thriller that will keep you up at night and make you never want to answer the door again!A lean, briskly paced and exceptionally creepy thriller, The Strangers earns its scares the old-fashioned way: through atmosphere, sound design, and a simple yet undeniably upsetting central premise that allows for maximum tension throughout its running time. Attractive young lovers Liv Tyler and Scott Speedman are already having a bad day--she's turned down his marriage proposal--before a knock on the door in the middle of the night announces a full-fledged siege on their remote vacation home by a trio of masked assailants. The film's first third delivers the most consistent shivers as the visitors make their presence and intentions known to Tyler; the second half grows more frantic and bloody before a gruesome finale that may leave viewers either rattled to their core or bothered by its empty nihilism. Speedman is fine as the downtrodden male lead! (who's seen tucking into a carton of ice cream after being rejected), but it's Tyler who impresses the most by shouldering the lion's share of the terror. First-time writer/director Bryan Bertino impresses by forsaking the current passion for over-the-top violence (save for the finale) in favor of more traditional means of generating fear, and if his project borrows heavily from other films, most notably the French chiller Them (which shares its "inspired by a true story" origin) and Michael Haneke's Funny Games, at least he's taking from the best. The sound design is among the many technical standouts, and the unsettling score by tomandandy (The Hills Have Eyes) pleasantly evokes Ennio Morricone's fuzztone-heavy work for Dario Argento in the early '70s. On a completely unrelated note, LP fanatics should appreciate how both the film's heroes and villains share an affinity for folk and country music on vinyl. --Paul GaitaHollywood favorites Ben ! Affleck (DAREDEVIL, PAYCHECK, THE SUM OF ALL FEARS) and Liv Ty! ler (LOR D OF THE RINGS trilogy, ARMAGEDDON) shine in this heartwarming all-star comedy about a guy who thinks he's lost it all only to discover he's got everything he needs! Ollie (Affleck) is a smooth and successful big-city publicist who has the life he's always wanted -- until things take an unexpected turn and he finds himself an unemployed single father back living with his dad in the suburbs. But just when he thinks his life has hit rock bottom, a sexy, no-nonsense video store clerk (Tyler) enters his life and shows Ollie that sometimes you have to forget who you thought you were and acknowledge what really makes you happy. Also starring Jason Biggs (AMERICAN PIE) -- director Kevin Smith (JAY AND SILENT BOB STRIKE BACK) has delivered another hit critics are calling one of the year's funniest!Jersey Girl stars Ben Affleck as a workaholic music executive who loses his wife (Jennifer Lopez) in childbirth and has to raise his newborn daughter with the help of his crotchety ! New Jersey dad (George Carlin). The movie unspools as if writer-director Kevin Smith, normally a highly self-aware filmmaker (Clerks, Chasing Amy, Dogma), set out to put a fresh spin on every cliché he could imagine (parent forced to choose between child and career; parent rushing to attend school performance; etc.)--then forgot to put in the spin. The scenes that aren't lifeless are implausible (Liv Tyler plays the fantasy girl of every awkward boy's dreams). The only real feeling comes from the strong soundtrack. However, Raquel Castro, as the daughter, is an uncanny double for Lopez; when the light plays across Castro's cheekbones just so, you'd swear the casting director simply shrunk Lopez for convenience. --Bret Fetzer

Monday, July 25, 2011

The Time Traveler's Wife

  • Lose yourself in timeless love with this gloriously romantic story of the journey of two hearts. Artist Clare Abshire (Rachel McAdams of The Notebook) shares a deep emotional bond with Henry De Tamble (Eric Bana of The Other Boleyn Girl), a handsome librarian who travels involuntarily through time. Knowing they can be separated without warning, Clare and Henry treasure the moments they have togeth
LUCKY ONES - DVD MovieAn earnest if not wholly satisfying comedy-drama about an awkward homecoming for three dissimilar Iraq War veterans, The Lucky Ones works best as a vehicle for its interesting lead performances. Tim Robbins transcends his real-life, anti-war reputation by playing Cheever, a Reservist and decent fellow who is injured in Iraq when a porta-potty falls on him. Eager to see his family, he ends up on a road trip with two other soldiers trying to reach their own destinations. T! here's Colee (Rachel McAdams), a young and earnest woman who enlisted to escape family problems, endured a leg wound and is on her way to meet the family of her boyfriend, who was killed in combat. There's also T.K. (Michael Peña), recruited from a poor family and granted a month's leave after becoming impotent from a wound. The odyssey these characters, initially strangers to each other, share is fairly predictable for anyone who has seen such classic vets-coming-home movies as The Best Years of Our Lives. As Colee, T.K. and Cheever travel together, they encounter what sometimes feels and looks like an alien landscape: people who patronize them, people who despise the war without an inkling of what it's like to endure it, and a host of other exploitative chuckleheads who just don't get it. Inevitably, the trio has only itself to rely upon, to share the knowledge of the war's reality and provide support in ways that are sometimes funny and sometimes poignant. Co-wri! tten and directed by Neil Burger (The Illusionist), ! The Luck y Ones has a rambling structure that causes the film to lose focus. But its heart is in the right place, and Robbins, McAdams and Peña play people one can care about as much as enjoy. --Tom Keogh

For Becky (Rachel McAdams, "The Notebook"), running a TV show in New York City was the big break she dreamed of…until star co-anchors Mike (Harrison Ford, Indiana Jones) and Colleen (Diane Keaton, "Something’s Gotta Give") declare an all-out, on-air war. Making the show work with its cast of eccentric characters and outrageous story angles will take a major miracle, but Becky is ready to rise and outshine. From the writer of "The Devil Wears Prada" and "27 Dresses", "Morning Glory" is a “Tart, terrific comedy*” that critics rave is, “Smart! Fresh! Brilliant! Heartwarming! Morning Glory has it all!*” *Peter Travers , Rolling Stone **Neil Rosen, NY1 Morning Glory showcases the comedic (and romantic) talents of two cute couples of different ages--Harrison Ford and Diane Keaton (never sparklier) and the adorable Rachel McAdams and Patrick Wilson. Love! can bloom, no matter what time of life, or, as the setting of! Morn ing Glory underscores, no matter what time of day. McAdams is excellent and darling as an ambitious TV producer who vows to turn around a sinking morning TV news show by bringing in a heavyweight anchor (Ford) to pair with the lighthearted, deft Keaton. But Ford wants none of the "news lite" that morning shows need to surface, so sparks fly between the bickering co-anchors almost immediately. Happily, Ford is easier in his skin in Morning Glory than he has been in some of his past romantic efforts (Six Days Seven Nights), so he and Keaton play off each other easily and believably. In a parallel story, McAdams's Becky is pursued by Wilson's Adam, which takes Ms. Focused Career Girl (if not the viewer) by surprise. The direction by Roger Michell (Notting Hill) is crisp, although the script by Aline Brosh McKenna (The Devil Wears Prada) isn't particularly funny. (Adam thinks Ford's character, Pomeroy, is the "third worst person in the world," aft! er Kim Jong Il and… Angela Lansbury.) But the world of TV news portrayed in Morning Glory is as immersive as it is in Broadcast News, and the romantic subplots truly are romantic. There's love in the air--and on the air--in Morning Glory. --A.T. HurleyLose yourself in timeless love with this gloriously romantic story of the journey of two hearts. Artist Clare Abshire (Rachel McAdams of The Notebook) shares a deep emotional bond with Henry De Tamble (Eric Bana of The Other Boleyn Girl), a handsome librarian who travels involuntarily through time. Knowing they can be separated without warning, Clare and Henry treasure the moments they have together, imbuing them with the yearning and passion of two people imprisoned by time…and set free by love. Based on the #1 bestseller, The Time Traveler's Wife weaves together destiny and devotion, past and future to turn an extraordinary love into an extraordinary love story.A genuinely old-fashioned! Hollywood romance with a science fiction angle, The Time T! raveler' s Wife stars Eric Bana as Henry DeTamble, a Chicago librarian with a genetic disorder causing him to travel through time involuntarily. The screenplay by Bruce Joel Rubin (My Life), based on a novel by Audrey Niffenegger, incorporates some of those crazy paradoxes that are a part of time-travel fiction, but without beating one over the head. Take Henry's introduction to his future wife, Clare (Rachel McAdams), who tells him they've already met even though they haven't actually met. Brain teasers, however, are not what The Time Traveler's Wife is about. In a quite haunting way, the story really concerns what it means to know and love someone at every phase of his or her life. The fact that Henry's life, from Clare's perspective, is hardly linear--he can disappear and turn back up again at different ages--means that she must cherish what is essential about him. Which doesn't mean the couple is immune to periods of unhappiness, including a painful sequence ab! out trying to bear a child--perhaps a child that might also carry the time-traveling gene.

While there is nothing particularly exciting stylistically about The Time Traveler's Wife, in many ways it has the simple charms and clear emotions of a 1940s weepie assigned by a studio to one of its journeyman, contract directors. (The film was directed by Flightplan's Robert Schwentke.) A couple of supporting players, Arliss Howard (as Henry's father) and Ron Livingston (as Henry's friend), provide even more reason to recommend this movie as a satisfying experience. --Tom Keogh

Sunday, July 24, 2011

TV Guide, July 17-23, 2006-Emily Proctor-CSI Miami star.

Papa The Great

Wednesday, July 20, 2011

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